Mingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
Providercma
Depiction ID1915.618.a_alt5_web
Subject ID1915.618.a
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1915.618.a_alt5_web
Subject ID1915.618.a
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-06
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1915.618.a/1915.618.a_alt5_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers, 1736–95. China, Qing dynasty (1644–1911), Qianlong reign (1736–95). Handscroll, silk: tapestry weave; ink and colors; silk: embroidery. The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1915.618.a
subject_titleMingling of Clear and Muddy Water at the Junction of the Jing and Wei Rivers
subject_urlhttps://clevelandart.org/art/1915.618.a
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.13496214
Providercma
Depiction ID1985.370_alt3_web
Subject ID1985.370
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1985.370/1985.370_alt3_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWater Village (平橋遠水), 1570. Wen Boren (Chinese, 1502–1575). Handscroll; ink and light color on paper; overall: 26.7 x 183 cm (10 1/2 x 72 1/16 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.370
subject_titleWater Village
subject_urlhttps://clevelandart.org/art/1985.370
typeimage
Distance0.13623041
Providercma
Depiction ID1970.59_alt1_web
Subject ID1970.59
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1970.59/1970.59_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAutumn Mist in the Countryside, 1647. Zou Zhe (Chinese, c. 1610-before 1688). Handscroll; ink and color on paper; overall: 29.5 x 280 cm (11 5/8 x 110 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.59
subject_titleAutumn Mist in the Countryside
subject_urlhttps://clevelandart.org/art/1970.59
typeimage
Distance0.13645065
Providercma
Depiction ID1964.94_alt14_web
Subject ID1964.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.94/1964.94_alt14_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBeggars and Street Characters (流氓圖), 1516. Zhou Chen (Chinese, c. 1450–c. 1536). Handscroll; ink and light color on paper; overall: 31.9 x 244.5 cm (12 9/16 x 96 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1964.94
subject_titleBeggars and Street Characters
subject_urlhttps://clevelandart.org/art/1964.94
typeimage
Distance0.13892245
Providercma
Depiction ID1960.181_alt16_web
Subject ID1960.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.181/1960.181_alt16_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree Horses and Four Grooms (三駿圖), c. 1320s. Ren Renfa (Chinese, 1254–1328). Handscroll; ink and color on silk; painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1960.181
subject_titleThree Horses and Four Grooms
subject_urlhttps://clevelandart.org/art/1960.181
typeimage
Distance0.14243013
Providercma
Depiction ID1977.56_alt0_web
Subject ID1977.56
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.56/1977.56_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFisherman's Joy (漁樂圖), 1572. Qian Gu (Chinese, 1508–c. 1578). Handscroll; ink and light color on paper; image: 31.4 x 355.2 cm (12 3/8 x 139 13/16 in.); overall: 37 x 989.4 cm (14 9/16 x 389 1/2 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund, 1977.56
subject_titleFisherman's Joy
subject_urlhttps://clevelandart.org/art/1977.56
typeimage
Distance0.1463427
Providercma
Depiction ID1987.194_alt38_web
Subject ID1987.194
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1987.194/1987.194_alt38_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAn Illustrated Marriage of Apparitions (化物婚礼絵巻), mid-1800s. Japan, Edo period (1615–1868). Handscroll; ink and color on paper; overall: 29.2 cm (11 1/2 in.); painting only: 25.9 x 1310.6 cm (10 3/16 x 516 in.). The Cleveland Museum of Art, John L. Severance Fund, 1987.194
subject_titleAn Illustrated Marriage of Apparitions
subject_urlhttps://clevelandart.org/art/1987.194
typeimage
Distance0.14830095
Providercma
Depiction ID1960.181_alt1_web
Subject ID1960.181
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1960.181/1960.181_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThree Horses and Four Grooms (三駿圖), c. 1320s. Ren Renfa (Chinese, 1254–1328). Handscroll; ink and color on silk; painting: 28.5 x 137.5 cm (11 1/4 x 54 1/8 in.); overall: 29.2 x 556.4 cm (11 1/2 x 219 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1960.181
subject_titleThree Horses and Four Grooms
subject_urlhttps://clevelandart.org/art/1960.181
typeimage
Distance0.15088123
Providercma
Depiction ID1972.12.2_alt21_web
Subject ID1972.12.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.12.2/1972.12.2_alt21_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Saltmaker's Story (文正草子), early 1600s. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink, color, and gold on paper; overall: 17.7 x 917.5 cm (6 15/16 x 361 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.12.2
subject_titleThe Saltmaker's Story
subject_urlhttps://clevelandart.org/art/1972.12.2
typeimage
Distance0.15802819
Providercma
Depiction ID1967.36_alt1_web
Subject ID1967.36
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1967.36/1967.36_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInk Flowers (墨花圖), 1361. Zhao Zhong (Chinese, second half of the 1300s). Handscroll; ink on paper; overall: 31.8 x 153.2 cm (12 1/2 x 60 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1967.36
subject_titleInk Flowers
subject_urlhttps://clevelandart.org/art/1967.36
typeimage
Distance0.158072
Providercma
Depiction ID1976.1_alt10_web
Subject ID1976.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.1/1976.1_alt10_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIn the Palace (宮中圖), before 1140. After a work attributed to Zhou Wenju (Chinese, active 942–961). Handscroll; ink and light color on silk; painting: 28.5 x 168.6 cm (11 1/4 x 66 3/8 in.); overall: 29.7 x 306.1 cm (11 11/16 x 120 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.1
subject_titleIn the Palace
subject_urlhttps://clevelandart.org/art/1976.1
typeimage
Distance0.15838987
Providercma
Depiction ID1970.3_alt1_web
Subject ID1970.3
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1970.3/1970.3_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLandscape in the Style of Huang Gongwang (仿黃公望山水圖), 1649. Gu Tianzhi (Chinese, active mid-1600s). Handscroll; ink and color on paper; overall: 25.5 x 717.5 cm (10 1/16 x 282 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1970.3
subject_titleLandscape in the Style of Huang Gongwang
subject_urlhttps://clevelandart.org/art/1970.3
typeimage
Distance0.1585558
Providercma
Depiction ID1975.94_alt32_web
Subject ID1975.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1975.94/1975.94_alt32_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage
Distance0.15997648
Providercma
Depiction ID1972.12.1_alt0_web
Subject ID1972.12.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1972.12.1/1972.12.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Saltmaker's Story (文正草子), early 1600s. Japan, Edo period (1615–1868). One of a pair of handscrolls; ink, color, and gold on paper; overall: 17.7 x 917.5 cm (6 15/16 x 361 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund, 1972.12.1
subject_titleThe Saltmaker's Story
subject_urlhttps://clevelandart.org/art/1972.12.1
typeimage
Distance0.16207314
Providercma
Depiction ID1966.118_alt14_web
Subject ID1966.118
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.118/1966.118_alt14_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass (目日芝に唐獅子摺絵新古今集和歌巻), early 1600s. Hon'ami Kōetsu (Japanese, 1558–1637), Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640). Handscroll; ink, gold, and silver on paper; overall: 23.2 x 346.6 cm (9 1/8 x 136 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1966.118
subject_titleSelections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass
subject_urlhttps://clevelandart.org/art/1966.118
typeimage
Distance0.16427296
Providercma
Depiction ID1954.791_alt0_web
Subject ID1954.791
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.791/1954.791_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeisure Enough to Spare (有餘閒), 1360. Yao Tingmei (Chinese, active mid-1300s). Handscroll; ink on paper; image: 23.1 x 84 cm (9 1/8 x 33 1/16 in.); overall: 23.8 x 734 cm (9 3/8 x 289 in.). The Cleveland Museum of Art, John L. Severance Fund, 1954.791
subject_titleLeisure Enough to Spare
subject_urlhttps://clevelandart.org/art/1954.791
typeimage
Distance0.16536921
Providercma
Depiction ID1970.41_alt7_web
Subject ID1970.41
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1970.41/1970.41_alt7_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOld Trees by a Cool Spring (清泉喬木圖), 1326. Li Shixing (Chinese, 1283–1328). Hanging scroll; ink on silk; image: 165.7 x 108.6 cm (65 1/4 x 42 3/4 in.); overall with knobs: 280.5 x 117.5 cm (110 7/16 x 46 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1970.41
subject_titleOld Trees by a Cool Spring
subject_urlhttps://clevelandart.org/art/1970.41
typeimage
Distance0.16703922
Providercma
Depiction ID1975.94_alt31_web
Subject ID1975.94
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1975.94/1975.94_alt31_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReturning to the Village in a Rainstorm (風雨歸村圖), 1530. Xie Shichen (Chinese, 1487–after 1567). Handscroll; ink and light color on silk; overall: 40.3 x 425.4 cm (15 7/8 x 167 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1975.94
subject_titleReturning to the Village in a Rainstorm
subject_urlhttps://clevelandart.org/art/1975.94
typeimage
Distance0.16752881
Providercma
Depiction ID1976.1_alt11_web
Subject ID1976.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.1/1976.1_alt11_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIn the Palace (宮中圖), before 1140. After a work attributed to Zhou Wenju (Chinese, active 942–961). Handscroll; ink and light color on silk; painting: 28.5 x 168.6 cm (11 1/4 x 66 3/8 in.); overall: 29.7 x 306.1 cm (11 11/16 x 120 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.1
subject_titleIn the Palace
subject_urlhttps://clevelandart.org/art/1976.1
typeimage
Distance0.1688723
Providercma
Depiction ID1976.1_alt0_web
Subject ID1976.1
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1976.1/1976.1_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIn the Palace (宮中圖), before 1140. After a work attributed to Zhou Wenju (Chinese, active 942–961). Handscroll; ink and light color on silk; painting: 28.5 x 168.6 cm (11 1/4 x 66 3/8 in.); overall: 29.7 x 306.1 cm (11 11/16 x 120 1/2 in.). The Cleveland Museum of Art, John L. Severance Fund, 1976.1
subject_titleIn the Palace
subject_urlhttps://clevelandart.org/art/1976.1
typeimage
Distance0.16960579
Providercma
Depiction ID1977.5_alt2_web
Subject ID1977.5
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1977.5/1977.5_alt2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSericulture (The Process of Making Silk) (耕織圖), early 1200s. Attributed to Liang Kai (Chinese, mid-1100s–early 1200s). Handscroll; ink and color on silk; first section: 26.7 x 98.6 cm (10 1/2 x 38 13/16 in.); second section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.); third section: 27.6 x 92.3 cm (10 7/8 x 36 5/16 in.). The Cleveland Museum of Art, John L. Severance Collection, 1977.5
subject_titleSericulture (The Process of Making Silk)
subject_urlhttps://clevelandart.org/art/1977.5
typeimage