Ruins of the Palais Gallien in Bordeaux
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Depiction ID1918.102_alt0_web
Subject ID1918.102
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Providercma
Depiction ID1918.102_alt0_web
Subject ID1918.102
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Created2026-10-06
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRuins of the Palais Gallien in Bordeaux, 1866–74. Maxime Lalanne (French, 1827–1886). Etching. The Cleveland Museum of Art, Gift of Frederick Keppel and Co., Inc., The Frederick Keppel Memorial, 1918.102
subject_titleRuins of the Palais Gallien in Bordeaux
subject_urlhttps://clevelandart.org/art/1918.102
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance1.7285347e-05
Providercma
Depiction ID1918.102_web
Subject ID1918.102
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRuins of the Palais Gallien in Bordeaux, 1866–74. Maxime Lalanne (French, 1827–1886). Etching. The Cleveland Museum of Art, Gift of Frederick Keppel and Co., Inc., The Frederick Keppel Memorial, 1918.102
subject_titleRuins of the Palais Gallien in Bordeaux
subject_urlhttps://clevelandart.org/art/1918.102
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Providercma
Depiction ID1922.4_web
Subject ID1922.4
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Rome: The Arch or Titus, 1776. Giovanni Battista Piranesi (Italian, 1720–1778). Etching and engraving. The Cleveland Museum of Art, Gift of the family of Mr. and Mrs. Peter M. Hitchcock, 1922.4
subject_titleViews of Rome: The Arch or Titus
subject_urlhttps://clevelandart.org/art/1922.4
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Providercma
Depiction ID1930.548_alt0_web
Subject ID1930.548
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEvenings in Rome: The Statue in Front of Ruins, 1763–64. Hubert Robert (French, 1733–1808). Etching; platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); border: 12.7 x 9 cm (5 x 3 9/16 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.548
subject_titleThe Statue in Front of Ruins
subject_urlhttps://clevelandart.org/art/1930.548
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Distance0.12403685
Providercma
Depiction ID1921.1157_web
Subject ID1921.1157
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTempio di Diana, 1748. Giovanni Battista Piranesi (Italian, 1720–1778). Etching and engraving. The Cleveland Museum of Art, Gift of Willard M. Clapp, 1921.1157
subject_titleTempio di Diana
subject_urlhttps://clevelandart.org/art/1921.1157
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Providercma
Depiction ID1967.237_web
Subject ID1967.237
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews of Rome: Forum of Nerva, c. 1770. Giovanni Battista Piranesi (Italian, 1720–1778). Etching. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1967.237
subject_titleViews of Rome: Forum of Nerva
subject_urlhttps://clevelandart.org/art/1967.237
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Distance0.12893909
Providercma
Depiction ID1925.1239.28_web
Subject ID1925.1239.28
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: Le Pilier isolè, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.28
subject_titleViews: Le Pilier isolè
subject_urlhttps://clevelandart.org/art/1925.1239.28
typeimage
Distance0.13022119
Providermetmuseum
Depiction IDmetmuseum:363328:primaryImage
Subject IDmetmuseum:363328
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960
subject_titleRemains of a covered portico, or a cryptoporticus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views)
subject_urlhttps://www.metmuseum.org/art/collection/search/363328
typeimage
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Providercma
Depiction ID1954.915_web
Subject ID1954.915
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEntrance to the French Capuchin Convent at Athens, 1854. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1954.915
subject_titleEntrance to the French Capuchin Convent at Athens
subject_urlhttps://clevelandart.org/art/1954.915
typeimage
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Providercma
Depiction ID1930.547_alt0_web
Subject ID1930.547
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previewhttps://openaccess-cdn.clevelandart.org/1930.547/1930.547_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Soirées de Rome: L'Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.547
subject_titleLes Soirées de Rome: L'Escalier aux quatre bornes
subject_urlhttps://clevelandart.org/art/1930.547
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Providercma
Depiction ID1983.164_web
Subject ID1983.164
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Soirées de Rome: The Stairs, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1983.164
subject_titleLes Soirées de Rome: The Stairs
subject_urlhttps://clevelandart.org/art/1983.164
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Providermetmuseum
Depiction IDmetmuseum:365364:primaryImage
Subject IDmetmuseum:365364
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP827916.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titlePlate 8: Arch of Drusus at the Porta S. Sebastiano in Rome (Arco di Druso alla Porta di Sebastiano in Roma), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
subject_urlhttps://www.metmuseum.org/art/collection/search/365364
typeimage
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Providercma
Depiction ID1921.1152_web
Subject ID1921.1152
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previewhttps://openaccess-cdn.clevelandart.org/1921.1152/1921.1152_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineVeduta dell'Arco di Gallieno, c. 1756–57. Giovanni Battista Piranesi (Italian, 1720–1778). Etching and engraving. The Cleveland Museum of Art, Gift of Willard M. Clapp, 1921.1152
subject_titleVeduta dell'Arco di Gallieno
subject_urlhttps://clevelandart.org/art/1921.1152
typeimage
Distance0.13748431
Providermetmuseum
Depiction IDmetmuseum:412490:primaryImage
Subject IDmetmuseum:412490
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP827729.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 13: a townscape with a fountain, fallen column and statue at right and a Gothic church beside an aqueduct in the background
subject_urlhttps://www.metmuseum.org/art/collection/search/412490
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Providercma
Depiction ID1925.1239.10_web
Subject ID1925.1239.10
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: The Portico with the Lantern, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.10
subject_titleViews: The Portico with the Lantern
subject_urlhttps://clevelandart.org/art/1925.1239.10
typeimage
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Providercma
Depiction ID1968.259_web
Subject ID1968.259
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineEntrance to the French Capuchin Convent at Athens, 1854. Charles Meryon (French, 1821–1868). Etching. The Cleveland Museum of Art, The Milton Curtiss Rose Collection in memory of Evelyn Curtiss Rose, 1968.259
subject_titleEntrance to the French Capuchin Convent at Athens
subject_urlhttps://clevelandart.org/art/1968.259
typeimage
Distance0.14357704
Providermetmuseum
Depiction IDmetmuseum:365361:primaryImage
Subject IDmetmuseum:365361
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP827921.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titlePlate 11: Temple of Janus (Tempio di Giano), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
subject_urlhttps://www.metmuseum.org/art/collection/search/365361
typeimage
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Providercma
Depiction ID1925.1239.13_web
Subject ID1925.1239.13
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineViews: A House Surrounded by Six Columns, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.13
subject_titleViews: A House Surrounded by Six Columns
subject_urlhttps://clevelandart.org/art/1925.1239.13
typeimage
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Providermetmuseum
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Subject IDmetmuseum:390214
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Herbert Mitchell, 2008
subject_titleTwo Story Entrance Flanked by Coupled Pilasters, from "Roman Ruins and Buildings"
subject_urlhttps://www.metmuseum.org/art/collection/search/390214
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Providermetmuseum
Depiction IDmetmuseum:400194:primaryImage
Subject IDmetmuseum:400194
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleView of the so-called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus
subject_urlhttps://www.metmuseum.org/art/collection/search/400194
typeimage
Distance0.14771587
Providermetmuseum
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Subject IDmetmuseum:363073
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Edward W. Root, Elihu Root Jr. and Mrs. Ulysses S. Grant III, 1937
subject_titleRemains of a covered portico, or a cryptoportiucus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views)
subject_urlhttps://www.metmuseum.org/art/collection/search/363073
typeimage