The Plan
Providercma
Depiction ID1918.105_web
Subject ID1918.105
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1918.105_web
Subject ID1918.105
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-06
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1918.105/1918.105_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Plan, 1870. Paul Rajon (French, 1842/43–1888), after Édouard Detaille (French, 1848–1912). Etching with white heightening. The Cleveland Museum of Art, Gift of Frederick Keppel and Co., Inc., The Frederick Keppel Memorial, 1918.105
subject_titleThe Plan
subject_urlhttps://clevelandart.org/art/1918.105
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.1678251
Providercma
Depiction ID1935.13_web
Subject ID1935.13
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1935.13/1935.13_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePhysionomies Parisiennes: Au Marais. Ici, Azor! ici!, 1857–58. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1935.13
subject_titlePhysionomies Parisiennes: Au Marais. Ici, Azor! ici!
subject_urlhttps://clevelandart.org/art/1935.13
typeimage
Distance0.18063033
Providercma
Depiction ID1925.1157_web
Subject ID1925.1157
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1157/1925.1157_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFaite et Gestes du Propriétaire, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1157
subject_titleFaite et Gestes du Propriétaire
subject_urlhttps://clevelandart.org/art/1925.1157
typeimage
Distance0.1832276
Providercma
Depiction ID1924.408_web
Subject ID1924.408
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.408/1924.408_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAn Actor's Holiday, 1867. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.408
subject_titleAn Actor's Holiday
subject_urlhttps://clevelandart.org/art/1924.408
typeimage
Distance0.18597275
Providercma
Depiction ID1991.99_web
Subject ID1991.99
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1991.99/1991.99_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBegging for Alms, 1819. Nicolas Toussaint Charlet (French, 1792–1845). Lithograph. The Cleveland Museum of Art, John L. Severance Fund, 1991.99
subject_titleBegging for Alms
subject_urlhttps://clevelandart.org/art/1991.99
typeimage
Distance0.18984932
Providercma
Depiction ID1925.1082_web
Subject ID1925.1082
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1082/1925.1082_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1082
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1082
typeimage
Distance0.19084853
Providercma
Depiction ID1925.1009_web
Subject ID1925.1009
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1009/1925.1009_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Bohemians of Paris: The Collector of Cigar Stubs, 1841. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 35.9 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 23.9 x 19.3 cm (9 7/16 x 7 5/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1009
subject_titleThe Collector of Cigar Stubs
subject_urlhttps://clevelandart.org/art/1925.1009
typeimage
Distance0.19095016
Providercma
Depiction ID1925.980_web
Subject ID1925.980
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.980/1925.980_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Life of a Young Man, c. mid-1800s. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.980
subject_titleThe Life of a Young Man
subject_urlhttps://clevelandart.org/art/1925.980
typeimage
Distance0.19135797
Providercma
Depiction ID1924.381_web
Subject ID1924.381
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.381/1924.381_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Ingenuous Wobbler, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.381
subject_titleThe Ingenuous Wobbler
subject_urlhttps://clevelandart.org/art/1924.381
typeimage
Distance0.19615537
Providercma
Depiction ID1925.1017_web
Subject ID1925.1017
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1017/1925.1017_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineParisian Emotions: What Time is it, Please?, 1839. Honoré Daumier (French, 1808–1879), Aubert. Lithograph; sheet: 34.9 x 25.5 cm (13 3/4 x 10 1/16 in.); image: 24.1 x 19.8 cm (9 1/2 x 7 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1017
subject_titleWhat Time is it, Please?
subject_urlhttps://clevelandart.org/art/1925.1017
typeimage
Distance0.19843775
Providermetmuseum
Depiction IDmetmuseum:394895:primaryImage
Subject IDmetmuseum:394895
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP874362.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP874362.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Marmot
subject_urlhttps://www.metmuseum.org/art/collection/search/394895
typeimage
Distance0.20203173
Providermetmuseum
Depiction IDmetmuseum:767506:primaryImage
Subject IDmetmuseum:767506
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP889787.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP889787.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditline
subject_titleC’est dans un de ces transports d’attendrissement que je dis à M. de Luxembourg en l’embrassant (I said this to M. de Luxembourg as I embraced him during a moment of tenderness), from J. J. Rousseau's "Confessions"
subject_urlhttps://www.metmuseum.org/art/collection/search/767506
typeimage
Distance0.20273036
Providercma
Depiction ID1919.667_web
Subject ID1919.667
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1919.667/1919.667_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIllustration for Chapter XXIII from "Lorna Doone". William Henry Drake (American, 1856–1926). Pen and ink. The Cleveland Museum of Art, Gift of Miss Fannie DeForest, 1919.667
subject_titleIllustration for Chapter XXIII from "Lorna Doone"
subject_urlhttps://clevelandart.org/art/1919.667
typeimage
Distance0.20302224
Providercma
Depiction ID1925.1069_web
Subject ID1925.1069
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1069/1925.1069_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1069
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1069
typeimage
Distance0.20427144
Providercma
Depiction ID1942.986_web
Subject ID1942.986
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.986/1942.986_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Malades et les medicins: No. 4, Lew Homéopathes, 1800s. Cham (French, 1818–1879). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.986
subject_titleLes Malades et les medicins: No. 4, Lew Homéopathes
subject_urlhttps://clevelandart.org/art/1942.986
typeimage
Distance0.20473027
Providercma
Depiction ID1925.1085_web
Subject ID1925.1085
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1085/1925.1085_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1085
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1085
typeimage
Distance0.20783973
Providercma
Depiction ID1922.376_web
Subject ID1922.376
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1922.376/1922.376_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIsabey, 1854–1856. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.376
subject_titleIsabey
subject_urlhttps://clevelandart.org/art/1922.376
typeimage
Distance0.20869827
Providercma
Depiction ID1943.492_web
Subject ID1943.492
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1943.492/1943.492_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineModes incroyables. Lions d'automne, 1839. Darny (French). Lithograph. The Cleveland Museum of Art, Gift of Milton S. Fox, 1943.492
subject_titleModes incroyables. Lions d'automne
subject_urlhttps://clevelandart.org/art/1943.492
typeimage
Distance0.20870858
Providermetmuseum
Depiction IDmetmuseum:358000:primaryImage
Subject IDmetmuseum:358000
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP875695.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP875695.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleThe Swiss Sentry at the Louvre
subject_urlhttps://www.metmuseum.org/art/collection/search/358000
typeimage
Distance0.2088139
Providercma
Depiction ID1925.1089_web
Subject ID1925.1089
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1089/1925.1089_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1847. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1089
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1089
typeimage
Distance0.21020317
Providercma
Depiction ID1921.1482_web
Subject ID1921.1482
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1921.1482/1921.1482_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Auction House: The Dealers, 1863, printed 1920. Honoré Daumier (French, 1808–1879), Charles Maurand (French, 1824–1904), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 22.6 x 16.1 cm (8 7/8 x 6 5/16 in.); sheet: 44.3 x 32.4 cm (17 7/16 x 12 3/4 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1482
subject_titleThe Auction House: The Dealers
subject_urlhttps://clevelandart.org/art/1921.1482
typeimage