From Treatise on Etching
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provider_nameCleveland Museum of Art
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subject_creditlineFrom Treatise on Etching, 1866. Maxime Lalanne (French, 1827–1886). Etching. The Cleveland Museum of Art, Gift of Ralph King, the Frederick Keppel Memorial, 1920.690
subject_titleFrom Treatise on Etching
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
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provider_nameCleveland Museum of Art
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subject_creditlineLes Soirées de Rome: L'Arc de triomphe, 1763–64. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.543
subject_titleLes Soirées de Rome: L'Arc de triomphe
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provider_nameCleveland Museum of Art
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subject_creditlineViews: Two Ruined Pillars, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.25
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provider_nameThe Metropolitan Museum of Art
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subject_titleRiver Scene
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1953
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Providermetmuseum
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Providercma
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Subject ID1930.548
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provider_nameCleveland Museum of Art
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subject_creditlineEvenings in Rome: The Statue in Front of Ruins, 1763–64. Hubert Robert (French, 1733–1808). Etching; platemark: 13.5 x 9.4 cm (5 5/16 x 3 11/16 in.); border: 12.7 x 9 cm (5 x 3 9/16 in.). The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.548
subject_titleThe Statue in Front of Ruins
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subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titleLandscape with Temple
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subject_creditlineThe Gentle Shepherd: Patie and Roger, 1758. Paul Sandby (British, 1731–1809). Etching. The Cleveland Museum of Art, Gift of Mrs. Sibley W. Hoobler in honor of Dr. Sherman E. Lee, 1983.160
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
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provider_nameCleveland Museum of Art
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subject_creditline (Les Soirées de Rome): Le Temple Antique, 1763–64. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.550
subject_titleLe Temple Antique
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provider_nameCleveland Museum of Art
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subject_creditlineViews: The Little Monument under a Tree, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.30
subject_titleViews: The Little Monument under a Tree
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subject_creditlineViews: Fragments of Sculpture, 1735–1746. Antonio Canaletto (Italian, 1697–1768). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1239.29
subject_titleViews: Fragments of Sculpture
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of James David Draper, 2000
subject_titleThe Old Chapel at Châtillon-d'Azergues
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleLandscape with buildings to the left and a bridge at right below
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Soirées de Rome: L'Escalier aux quatre bornes, 1763. Hubert Robert (French, 1733–1808). Etching. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1930.547
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provider_nameCleveland Museum of Art
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subject_creditlineLiber Studiorum: A Study, 1838. John Sell Cotman (British, 1782–1842). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1928.644
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subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 3: The Statue Before the Ruins: a statue to left next to three figures on a pedestal, a beggar standing in an archway to right, four columns and the remains of an entablature to top left, from "Les soirées de Rome"
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