Guard of the Casbah at Tétouan
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Subject ID1921.285
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Providercma
Depiction ID1921.285_web
Subject ID1921.285
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGuard of the Casbah at Tétouan, c. 1873. Mariano Fortuny (Spanish, 1838–1874). Etching. The Cleveland Museum of Art, Gift of Knoedler and Company, through The Print Club of Cleveland, 1921.285
subject_titleGuard of the Casbah at Tétouan
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subject_creditlineGift of M. Knoedler & Co.
subject_titleEntrance to the Kasbah in Tetuan, figures sitting on the ground, others on horseback
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Junius S. Morgan
subject_titleGuards on horseback at the entrance to the Kasbah in Tetuan, figures sitting on the ground
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subject_creditlineGift of Junius S. Morgan
subject_titleGuards on horseback at the entrance to the Kasbah in Tetuan, figures sitting on the ground
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subject_creditlineGift of M. Knoedler & Co.
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.542
subject_titleBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: There Isn't Time Now, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.535
subject_titleThe Horrors of War: There Isn't Time Now
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subject_titleCour de Caserne
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: The Healthy and the Sick, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.573
subject_titleThe Horrors of War: The Healthy and the Sick
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline20: The Horrors of War: It Will Be the Same, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.537
subject_titleThe Horrors of War: It Will Be the Same
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provider_nameThe Metropolitan Museum of Art
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subject_titleThe Departure of the Flock
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Durand-Ruel, 1924
subject_titleLe Maquignon
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSaint Joseph Church, Madrid, c. 1860–70. Mariano Fortuny (Spanish, 1838–1874). Etching. The Cleveland Museum of Art, Gift of Knoedler and Company, through The Print Club of Cleveland, 1921.295
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provider_nameCleveland Museum of Art
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subject_creditlineSaint Joseph Church, Madrid, c. 1860–70. Mariano Fortuny (Spanish, 1838–1874). Etching. The Cleveland Museum of Art, Gift of Knoedler and Company, through The Print Club of Cleveland, 1921.295
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
subject_titleThe Horrors of War: It's No Use Crying Out
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Junius S. Morgan, 1923
subject_titleA Moroccan horse standing before an arch
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Strange Devotion!, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.582
subject_titleThe Horrors of War: Strange Devotion!
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: A Woman's Charity, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.565
subject_titleThe Horrors of War: A Woman's Charity
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineSerenade, c. 1863–65. Mariano Fortuny (Spanish, 1838–1874). Etching. The Cleveland Museum of Art, Gift of Knoedler and Company, through The Print Club of Cleveland, 1921.281
subject_titleSerenade
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Fight in a Carriage Harnessed to Two Mules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.579
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Appeals are in Vain, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.570
subject_titleThe Horrors of War: Appeals are in Vain
subject_urlhttps://clevelandart.org/art/1922.570
typeimage