Allegorical Theme: Combat of Animals
Providercma
Depiction ID1922.141_alt0_web
Subject ID1922.141
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1922.141_alt0_web
Subject ID1922.141
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAllegorical Theme: Combat of Animals, c. 1515–20. Master of the Beheading of St. John the Baptist (Italian), after Leonardo da Vinci (Italian, 1452-1519). Engraving; sheet: 22.6 x 31.9 cm (8 7/8 x 12 9/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1922.141
subject_titleAllegorical Theme: Combat of Animals
subject_urlhttps://clevelandart.org/art/1922.141
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subject_creditlineGift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of George R. Goldner, 2013
subject_titleBattle Scene with a Prisoner Being Bound, after Raphael
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Providermetmuseum
Depiction IDmetmuseum:426620:primaryImage
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2013
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Harry G. Sperling, 1971
subject_titleThree Putti Holding Cross Before Two Male Saints
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleThe Vision of Ezekiel
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Providermetmuseum
Depiction IDmetmuseum:338423:primaryImage
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provider_nameThe Metropolitan Museum of Art
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subject_titleThe Last Communion of Saint Jerome
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineCopy of Raphael's Massacre of the Innocents, after 1510. Follower of Raphael (Italian, 1483–1520). Pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown ink; sheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); secondary support: 23.9 x 30.5 cm (9 7/16 x 12 in.). The Cleveland Museum of Art, John L. Severance Fund, 1988.28
subject_titleCopy of Raphael's Massacre of the Innocents
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Cornelius Vanderbilt, 1880
subject_titleThree Female Figures and Seated Putto
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1966
subject_titlePutti and a Young Satyr at Play
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Providermetmuseum
Depiction IDmetmuseum:334245:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1963
subject_titleLeonidas at Thermopylae
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarry G. Sperling Fund, 2014
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Providercma
Depiction ID1970.37.b_web
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subject_creditlineVenus Disarming Mars, Drapery Study (verso), c. 1632/35. Peter Paul Rubens (Flemish, 1577–1640). Pen and brown ink and brush and brown wash (right half); black chalk, with stumping (left half); sheet: 19.9 x 49.2 cm (7 13/16 x 19 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1970.37.b
subject_titleVenus Disarming Mars, Drapery Study (verso)
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Providermetmuseum
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Providermetmuseum
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subject_creditlineHarry G. Sperling Fund, 1985
subject_titleExaltation of the Holy Cross
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
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Providermetmuseum
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Providermetmuseum
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Providermetmuseum
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Providermetmuseum
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