The Horrors of War: Bitter to be Present
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subject_creditlineThe Horrors of War: Bitter to be Present, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.529
subject_titleThe Horrors of War: Bitter to be Present
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subject_creditlineThe Horrors of War: The Healthy and the Sick, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.573
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subject_creditlineThe Horrors of War: One Can't Look, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.542
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
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subject_titlePlate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
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subject_creditlineThe Horrors of War: And There's No Help For It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.531
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subject_creditlineThe Horrors of War: This is How it Happened, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.563
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subject_creditlineThe Horrors of War: The Women Give Courage, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.520
subject_titleThe Horrors of War: The Women Give Courage
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subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
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subject_creditlineThe Horrors of War: And They are Like Wild Beasts, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.521
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subject_creditlineThe Horrors of War: Neither Do These, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.527
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subject_creditlineThe Horrors of War: Thanks To The Millet, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.567
subject_titleThe Horrors of War: Thanks To The Millet
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: Everything is Topsy-Turvy, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.558
subject_titleThe Horrors of War: Everything is Topsy-Turvy
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)
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subject_creditlineThe Disasters of War: And There's No Help for it, 1810–1820. Francisco de Goya (Spanish, 1746–1828). Etching, drypoint and burin. The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1987.56
subject_titleThe Disasters of War: And There's No Help for it
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subject_creditlineThe Horrors of War: To The Cemetery, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.572
subject_titleThe Horrors of War: To The Cemetery
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subject_titleÄngste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition
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