The Horrors of War: He Deserved It
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: He Deserved It, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.545
subject_titleThe Horrors of War: He Deserved It
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)
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subject_creditlineThe Horrors of War: Rightly or Wrongly, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.518
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subject_creditlineThe Horrors of War: Rabble, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.544
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subject_creditlineThe Horrors of War: This Is Bad, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.562
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: I Saw It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.560
subject_titleThe Horrors of War: I Saw It
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subject_creditlineThe Horrors of War: They Do Not Know The Way, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.586
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subject_creditlineThe Horrors of War: Charity, 1810. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.543
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subject_creditlineThe Horrors of War: There Isn't Time Now, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.535
subject_titleThe Horrors of War: There Isn't Time Now
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subject_creditlineThe Horrors of War: And There's No Help For It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.531
subject_titleThe Horrors of War: And There's No Help For It
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
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subject_titlePlate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
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subject_creditlineBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.542
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subject_creditlineThe Horrors of War: They Can Still Be of Use, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.540
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subject_creditline20: The Horrors of War: It Will Be the Same, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.537
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subject_creditlineThe Horrors of War: That's Tough!, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.547
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subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
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subject_titlePlate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)
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