The Horrors of War: What More Can Be Done?
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: What More Can Be Done?, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.549
subject_titleThe Horrors of War: What More Can Be Done?
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: This Is Bad, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.562
subject_titleThe Horrors of War: This Is Bad
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleLoyalty, from "The Disparates" (Follies / Irrationalities)
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subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
subject_titleThe Horrors of War: It's No Use Crying Out
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: And They are Like Wild Beasts, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.521
subject_titleThe Horrors of War: And They are Like Wild Beasts
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Perhaps They are of Another Breed, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.577
subject_titleThe Horrors of War: Perhaps They are of Another Breed
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: Thanks To The Millet, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.567
subject_titleThe Horrors of War: Thanks To The Millet
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Loyalty' from the 'Disparates' (Follies / Irrationalities)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: One Can't Look, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.542
subject_titleThe Horrors of War: One Can't Look
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subject_creditlineThe Horrors of War: Everything is Topsy-Turvy, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.558
subject_titleThe Horrors of War: Everything is Topsy-Turvy
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: The Healthy and the Sick, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.573
subject_titleThe Horrors of War: The Healthy and the Sick
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Strange Devotion!, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.582
subject_titleThe Horrors of War: Strange Devotion!
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: To The Cemetery, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.572
subject_titleThe Horrors of War: To The Cemetery
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: The Worst is to Beg, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.571
subject_titleThe Horrors of War: The Worst is to Beg
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Proverbs: Loyalty, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.17
subject_titleThe Proverbs: Loyalty
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: And This Too, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.561
subject_titleThe Horrors of War: And This Too
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Neither Do These, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.527
subject_titleThe Horrors of War: Neither Do These
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Rightly or Wrongly, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.518
subject_titleThe Horrors of War: Rightly or Wrongly
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: There Isn't Time Now, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.535
subject_titleThe Horrors of War: There Isn't Time Now
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: This is How it Happened, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.563
subject_titleThe Horrors of War: This is How it Happened
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