The Horrors of War: One Can't Tell Why
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subject_creditlineThe Horrors of War: One Can't Tell Why, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.551
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subject_titlePlate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)
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subject_creditlineThe Horrors of War: On Account of a Knife, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.550
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subject_creditlineThe Horrors of War: The Women Give Courage, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.520
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subject_creditlineThe Horrors of War: That's Tough!, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.547
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subject_creditlineThe Horrors of War: Perhaps They are of Another Breed, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.577
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subject_creditlineThe Horrors of War: There Isn't Time Now, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.535
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)
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subject_creditlineThe Horrors of War: Barbarians!, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.554
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subject_creditlineThe Horrors of War: Bitter to be Present, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.529
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