The Horrors of War: Unhappy Mother
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: Unhappy Mother, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.566
subject_titleThe Horrors of War: Unhappy Mother
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: Rightly or Wrongly, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.518
subject_titleThe Horrors of War: Rightly or Wrongly
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: This Is Bad, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.562
subject_titleThe Horrors of War: This Is Bad
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subject_creditlineThe Horrors of War: He Deserved It, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.545
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: They Can Still Be of Use, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.540
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subject_creditline20: The Horrors of War: It Will Be the Same, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.537
subject_titleThe Horrors of War: It Will Be the Same
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: I Saw It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.560
subject_titleThe Horrors of War: I Saw It
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subject_creditlineThe Disasters of War: And There's No Help for it, 1810–1820. Francisco de Goya (Spanish, 1746–1828). Etching, drypoint and burin. The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1987.56
subject_titleThe Disasters of War: And There's No Help for it
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subject_creditlineRogers Fund, 1921
subject_titlePlate 2 from "La Tauromaquia": Another way of hunting on foot
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subject_creditlineThe Horrors of War: Charity, 1810. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.543
subject_titleThe Horrors of War: Charity
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subject_creditlineThe Horrors of War: One Can't Look, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.542
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: This is What You Were Born For, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.528
subject_titleThe Horrors of War: This is What You Were Born For
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
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subject_creditlineThe Horrors of War: They Don't Like It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.525
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subject_creditlineThe Horrors of War: The Worst is to Beg, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.571
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subject_titlePlate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)
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