The Horrors of War: They Do Not Arrive In Time
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subject_creditlineThe Horrors of War: They Do Not Arrive In Time, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.568
subject_titleThe Horrors of War: They Do Not Arrive In Time
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subject_titlePlate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)
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subject_creditlineThe Horrors of War: Thanks To The Millet, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.567
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subject_creditlineThe Horrors of War: There Isn't Time Now, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.535
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subject_creditlineThe Horrors of War: Bitter to be Present, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.529
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subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
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subject_titlePlate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)
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subject_creditline20: The Horrors of War: It Will Be the Same, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.537
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subject_creditlineThe Disasters of War: And There's No Help for it, 1810–1820. Francisco de Goya (Spanish, 1746–1828). Etching, drypoint and burin. The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1987.56
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subject_titlePlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
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subject_creditlineThe Horrors of War: A Woman's Charity, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.565
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