The Horrors of War: The Beds of Death
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: The Beds of Death, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.578
subject_titleThe Horrors of War: The Beds of Death
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: They Do Not Arrive In Time, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.568
subject_titleThe Horrors of War: They Do Not Arrive In Time
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. Imrie de Vegh, 1949
subject_titleDante and Virgil
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subject_creditlineThe Proverbs: The Men in Sacks, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.8
subject_titleThe Proverbs: The Men in Sacks
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: A Woman's Charity, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.565
subject_titleThe Horrors of War: A Woman's Charity
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)
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subject_creditlineRogers Fund, 1921
subject_title'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)
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subject_creditlineHarris Brisbane Dick Fund, 1931
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
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subject_creditlineHarris Brisbane Dick Fund, 1924
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subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
subject_titleThe Horrors of War: It's No Use Crying Out
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subject_creditlineLos Caprichos: Here Comes the Bogeyman, Plate 3, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.598
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subject_titlePlate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)
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subject_titleThe Horrors of War: It Will Be the Same
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