The Horrors of War:  Cartloads to the Cemetery
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: Cartloads to the Cemetery, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.580
subject_titleThe Horrors of War: Cartloads to the Cemetery
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)
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subject_titlePlate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)
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subject_creditlineThe Horrors of War: Appeals are in Vain, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.570
subject_titleThe Horrors of War: Appeals are in Vain
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provider_nameCleveland Museum of Art
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subject_creditlineThe Barrow - Quartier des Marolles, Brussels, 1887. James McNeill Whistler (American, 1834–1903). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1922.448
subject_titleThe Barrow - Quartier des Marolles, Brussels
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subject_creditlineThe Horrors of War: They Do Not Arrive In Time, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.568
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subject_creditlineThe Horrors of War: Strange Devotion!, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.582
subject_titleThe Horrors of War: Strange Devotion!
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subject_creditlineThe Horrors of War: And They are Like Wild Beasts, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.521
subject_titleThe Horrors of War: And They are Like Wild Beasts
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subject_creditlineThe Horrors of War: The Healthy and the Sick, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.573
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)
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subject_creditlineThe Horrors of War: To The Cemetery, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.572
subject_titleThe Horrors of War: To The Cemetery
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)
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subject_creditlineThe Horrors of War: There Was Nothing to be Done and He Died, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.569
subject_titleThe Horrors of War: There Was Nothing to be Done and He Died
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: A Woman's Charity, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.565
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subject_titlePlate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)
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subject_creditlineThe Horrors of War: Bitter to be Present, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.529
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subject_titlePlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)
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subject_creditlineGift of Howard Mansfield, 1931
subject_titlePrayer (upper); Cart in Front of a House (lower)
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