The Horrors of War:  This Is Not Less So
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Created2026-10-07
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: This Is Not Less So, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.583
subject_titleThe Horrors of War: This Is Not Less So
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: It's No Use Crying Out, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.574
subject_titleThe Horrors of War: It's No Use Crying Out
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCarnival Folly, from "The Disparates" (Follies / Irrationalities)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
subject_urlhttps://www.metmuseum.org/art/collection/search/381385
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: This Is Bad, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.562
subject_titleThe Horrors of War: This Is Bad
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Loyalty' from the 'Disparates' (Follies / Irrationalities)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Everything is Topsy-Turvy, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.558
subject_titleThe Horrors of War: Everything is Topsy-Turvy
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: This is How it Happened, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.563
subject_titleThe Horrors of War: This is How it Happened
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subject_creditlineVarious Caprices: Young Man Seated, Leaning Against an Urn, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1947.485
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: The Healthy and the Sick, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.573
subject_titleThe Horrors of War: The Healthy and the Sick
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)
subject_urlhttps://www.metmuseum.org/art/collection/search/381304
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Proverbs: General Folly, 1864. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Grover Higgins, 1928.102.9
subject_titleThe Proverbs: General Folly
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subject_creditlineGift of Dr. Van Horne Norrie, 1917
subject_titleSix people watching a snake, from the Scherzi
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: There Isn't Time Now, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.535
subject_titleThe Horrors of War: There Isn't Time Now
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Providercma
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subject_creditlineCaprices: Two Standing Beggars and a Cripple, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.87
subject_titleCaprices: Two Standing Beggars and a Cripple
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titlePlate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)
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provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Neither Do These, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.527
subject_titleThe Horrors of War: Neither Do These
subject_urlhttps://clevelandart.org/art/1922.527
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