No One Knows Himself, Plate 6
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: No One Knows Himself, Plate 6, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.601
subject_titleNo One Knows Himself, Plate 6
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380488
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titleMan discovering a murdered companion
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.2 x 15 cm (8 3/8 x 5 7/8 in.); sheet: 30.8 x 22.2 cm (12 1/8 x 8 3/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.276
subject_titleIt is Better to be Lazy, Plate 73
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)
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subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleDromio, Adriana and Luciana (Shakespeare, Comedy of Errors, Act 4, Scene 2)
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subject_creditlineLos Caprichos: All Will Fall, Plate 19, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.614
subject_titleAll Will Fall, Plate 19
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Dr. Philip Stimson, 1949
subject_titleHamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I)
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.668
subject_titleIt is Better to be Lazy, Plate 73
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineA. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1988
subject_titleThe Sculptors
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Providermetmuseum
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provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Calendrier des Vieillards, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleDo you see me reduced to driving by the roughest paths their little delicate feet, in the grip of the mockery of the leaders?, from "Little Miseries of Human Life"
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subject_creditlineGift of Susan Schulman Printseller, in honor of Carolyn Bullard, 2016
subject_titleReproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: All Will Fall, Plate 19, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.614
subject_titleAll Will Fall, Plate 19
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLa Coupe Enchantee, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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