Even Thus He Cannot Make Her Out, Plate 7
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Providercma
Depiction ID1922.602_web
Subject ID1922.602
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
subject_urlhttps://www.metmuseum.org/art/collection/search/333788
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
subject_urlhttps://www.metmuseum.org/art/collection/search/360413
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Two of a Kind, Plate 5, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.600
subject_titleTwo of a Kind, Plate 5
subject_urlhttps://clevelandart.org/art/1922.600
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: No One Knows Himself, Plate 6, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.601
subject_titleNo One Knows Himself, Plate 6
subject_urlhttps://clevelandart.org/art/1922.601
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
subject_titlePlate 16: Menghina quiets Cacasenno with a chestnut cake, from "Bertoldo, Bertoldino, and Cacasenno"
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleDo you see me reduced to driving by the roughest paths their little delicate feet, in the grip of the mockery of the leaders?, from "Little Miseries of Human Life"
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineA. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1988
subject_titleThe Sculptors
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subject_creditlineLos Caprichos: She Fleeces Him, Plate 35, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.630
subject_titleShe Fleeces Him, Plate 35
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380488
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
subject_titlePlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
subject_urlhttps://www.metmuseum.org/art/collection/search/334158
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
subject_urlhttps://www.metmuseum.org/art/collection/search/380639
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
subject_urlhttps://www.metmuseum.org/art/collection/search/381404
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Fund, 1963
subject_titleSculptors
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.668
subject_titleIt is Better to be Lazy, Plate 73
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Filiation, Plate 57, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.652
subject_titleThe Filiation, Plate 57
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 35 from "Los Caprichos": She fleeces him (Le descañona)
subject_urlhttps://www.metmuseum.org/art/collection/search/380469
typeimage