What a Sacrifice!, Plate 14
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: What a Sacrifice!, Plate 14, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.609
subject_titleWhat a Sacrifice!, Plate 14
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)
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subject_creditlineGift of Susan Schulman Printseller, in honor of Carolyn Bullard, 2016
subject_titleReproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)
subject_urlhttps://www.metmuseum.org/art/collection/search/370576
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subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
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subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
subject_titleWhy Hide Them?, Plate 30
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subject_creditlineThe Elisha Whittelsey Fund, 1963
subject_titleFlirtatiousness
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subject_creditlineLos Caprichos: Blow, Plate 69, 1799. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, drypoint and engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1967.129
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subject_creditlineLos Caprichos: Trials, Plate 60, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.655
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
subject_titlePlate 16: Menghina quiets Cacasenno with a chestnut cake, from "Bertoldo, Bertoldino, and Cacasenno"
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subject_titleThe Witch
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subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
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