For Heaven's Sake: and It Was Her Mother, Plate 16
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
subject_titlePlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
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subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
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subject_creditlineLos Caprichos: Two of a Kind, Plate 5, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.600
subject_titleTwo of a Kind, Plate 5
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
subject_titlePlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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subject_creditlineLos Caprichos: She Prays for Her, Plate 31, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.626
subject_titleShe Prays for Her, Plate 31
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
subject_titleThe Coke and Perkin (The Cook's Tale, Chaucer's Canterbury Tales)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleEven thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 5 from "Los Caprichos": Two of a kind (Tal para qual)
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subject_creditlineLos Caprichos: Here Comes the Bogeyman, Plate 3, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.598
subject_titleHere Comes the Bogeyman, Plate 3
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subject_creditlineLos Caprichos: It is Nicely Stretched, Plate 17, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.612
subject_titleIt is Nicely Stretched, Plate 17
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)
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subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
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