It is Nicely Stretched, Plate 17
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: It is Nicely Stretched, Plate 17, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.612
subject_titleIt is Nicely Stretched, Plate 17
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleIt is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Walter E. Sachs, 1916
subject_titleIt is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
subject_urlhttps://www.metmuseum.org/art/collection/search/333786
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
subject_urlhttps://www.metmuseum.org/art/collection/search/360415
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Here Comes the Bogeyman, Plate 3, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.598
subject_titleHere Comes the Bogeyman, Plate 3
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Because She Was Susceptible, Plate 32, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.627
subject_titleBecause She Was Susceptible, Plate 32
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: She Prays for Her, Plate 31, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.626
subject_titleShe Prays for Her, Plate 31
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Catherine G. Curran and Janice and Roger Oresman Gifts, 2004
subject_titleThe Cook, from "Divers Portraits"
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
subject_titlePoor Little Girls!, Plate 22
subject_urlhttps://clevelandart.org/art/1922.617
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
subject_urlhttps://www.metmuseum.org/art/collection/search/360412
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
subject_titlePoor Little Girls!, Plate 22
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
subject_urlhttps://www.metmuseum.org/art/collection/search/377822
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They are Hot, Plate 13, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.608
subject_titleThey are Hot, Plate 13
subject_urlhttps://clevelandart.org/art/1922.608
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 31 from "Los Caprichos": She prays for her (Ruega por ella)
subject_urlhttps://www.metmuseum.org/art/collection/search/360416
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Sleep Overcomes Them, Plate 34, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.629
subject_titleSleep Overcomes Them, Plate 34
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Hobgoblins, Plate 49, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.644
subject_titleHobgoblins, Plate 49
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
subject_urlhttps://www.metmuseum.org/art/collection/search/361832
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
subject_titleWhy Hide Them?, Plate 30
subject_urlhttps://clevelandart.org/art/1922.625
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