There They Go Plucked, Plate 20
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subject_creditlineLos Caprichos: There They Go Plucked, Plate 20, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.615
subject_titleThere They Go Plucked, Plate 20
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subject_creditlineLos Caprichos: There They Go Plucked, Plate 20, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.615
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Can't Anyone Untie Us?, Plate 75, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.670
subject_titleCan't Anyone Untie Us?, Plate 75
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: The Filiation, Plate 57, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.652
subject_titleThe Filiation, Plate 57
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subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
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subject_creditlineLos Caprichos: You Will Not Escape, Plate 72, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.667
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subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
subject_titlePoor Little Girls!, Plate 22
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 57 from "Los Caprichos": The filiation (La filiacion)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
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subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleBelphegor, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 80 from "Los Caprichos": It is time (Ya es hora)
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subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
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subject_creditlineLos Caprichos: The Shamefaced One, Plate 54, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.649
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