How They Pluck Her!, Plate 21
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subject_creditlineLos Caprichos: How They Pluck Her!, Plate 21, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.616
subject_titleHow They Pluck Her!, Plate 21
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subject_creditlineLos Caprichos: How They Pluck Her!, Plate 21, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.616
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 35 from "Los Caprichos": She fleeces him (Le descañona)
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subject_title¡Qual la descañonan!
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Filiation, Plate 57, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.652
subject_titleThe Filiation, Plate 57
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Roland L. Redmond Gift, Louis V. Bell and Rogers Funds, 1972
subject_titleLa Famille du Fermier
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: That Certainly is Being Able to Read, Plate 29, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.624
subject_titleThat Certainly is Being Able to Read, Plate 29
subject_urlhttps://clevelandart.org/art/1922.624
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Loyalty' from the 'Disparates' (Follies / Irrationalities)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Phyllis Massar, 2011
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
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provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
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subject_creditlineLos Caprichos: Here Comes the Bogeyman, Plate 3, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.598
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subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
subject_titleWhy Hide Them?, Plate 30
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