How They Pluck Her!, Plate 21
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Depiction ID1922.616_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: How They Pluck Her!, Plate 21, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.616
subject_titleHow They Pluck Her!, Plate 21
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: How They Pluck Her!, Plate 21, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.616
subject_titleHow They Pluck Her!, Plate 21
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)
subject_urlhttps://www.metmuseum.org/art/collection/search/377830
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Filiation, Plate 57, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.652
subject_titleThe Filiation, Plate 57
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
subject_titleA Gift for the Master, Plate 47
subject_urlhttps://clevelandart.org/art/1922.642
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Roland L. Redmond Gift, Louis V. Bell and Rogers Funds, 1972
subject_titleLa Famille du Fermier
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/397771
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 35 from "Los Caprichos": She fleeces him (Le descañona)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Correction, Plate 46, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.641
subject_titleCorrection, Plate 46
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Henry J. Bernheim, 1936
subject_title'Loyalty' from the 'Disparates' (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/384334
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Providermetmuseum
Depiction IDmetmuseum:384328:primaryImage
Subject IDmetmuseum:384328
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleLoyalty, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/384328
typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Here Comes the Bogeyman, Plate 3, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.598
subject_titleHere Comes the Bogeyman, Plate 3
subject_urlhttps://clevelandart.org/art/1922.598
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
subject_titleWhy Hide Them?, Plate 30
subject_urlhttps://clevelandart.org/art/1922.625
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)
subject_urlhttps://www.metmuseum.org/art/collection/search/380700
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Providermetmuseum
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Subject IDmetmuseum:369394
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Roland L. Redmond Gift, Louis V. Bell and Rogers Funds, 1972
subject_titleLa Famille du Fermier
subject_urlhttps://www.metmuseum.org/art/collection/search/369394
typeimage
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Providercma
Depiction ID1922.617_alt0_web
Subject ID1922.617
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
subject_titlePoor Little Girls!, Plate 22
subject_urlhttps://clevelandart.org/art/1922.617
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titlePlate 1: Young Woman Feeding her Infant, from Premier Livre de Sujets et Pastorales (First Book of Subjects and Pastorals)
subject_urlhttps://www.metmuseum.org/art/collection/search/412622
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Providercma
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Subject ID1922.602
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
subject_urlhttps://clevelandart.org/art/1922.602
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCaprices: Seated Beggar Woman with Two Children, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.84
subject_titleCaprices: Seated Beggar Woman with Two Children
subject_urlhttps://clevelandart.org/art/1962.84
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