Nothing Could Be Done About It, Plate 24
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Created2026-10-07
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Nothing Could Be Done About It, Plate 24, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.619
subject_titleNothing Could Be Done About It, Plate 24
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)
subject_urlhttps://www.metmuseum.org/art/collection/search/377824
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: No One Knows Himself, Plate 6, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.601
subject_titleNo One Knows Himself, Plate 6
subject_urlhttps://clevelandart.org/art/1922.601
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1922
subject_titleThe Wounded Goetz Taken In by the Gypsies
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Weston J. Naef, 1985
subject_titleA Mother's Sadness
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Grace M. Pugh, 1985
subject_titleDeath on a Battlefield, from "The five deaths" (Les cinq Morts)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineJohn J. McKendry Fund, 1996
subject_titleCombat of the Giaour and the Pasha
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleSaint Martin, on horseback, giving his cloak to a beggar, angels overhead
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subject_creditlineCharles V Spearing a Bull in the Ring at Valladolid, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, drypoint and engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1984.94
subject_titleCharles V Spearing a Bull in the Ring at Valladolid
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provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Tantalus, Plate 9, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.604
subject_titleTantalus, Plate 9
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Providermetmuseum
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)
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Providermetmuseum
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Subject IDmetmuseum:384337
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)
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subject_titleThe Wounded Goetz Taken in by the Gypsies
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