Which of Them is the More Overcome?, Plate 27
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subject_creditlineLos Caprichos: Which of Them is the More Overcome?, Plate 27, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.622
subject_titleWhich of Them is the More Overcome?, Plate 27
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
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subject_creditlineLos Caprichos: Two of a Kind, Plate 5, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.600
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subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Can't Anyone Untie Us?, Plate 75, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.670
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subject_creditlineLos Caprichos: Tantalus, Plate 9, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.604
subject_titleTantalus, Plate 9
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
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subject_creditlineLos Caprichos: No One Knows Himself, Plate 6, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.601
subject_titleNo One Knows Himself, Plate 6
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
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subject_creditlineLos Caprichos: It is Nicely Stretched, Plate 17, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.612
subject_titleIt is Nicely Stretched, Plate 17
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subject_creditlineGift of Susan Schulman Printseller, in honor of Carolyn Bullard, 2016
subject_titleReproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
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subject_creditlineLos Caprichos: They Carried Her Off!, Plate 8, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.603
subject_titleThey Carried Her Off!, Plate 8
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 5 from "Los Caprichos": Two of a kind (Tal para qual)
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provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Look How Solemn They Are!, Plate 63, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.658
subject_titleLook How Solemn They Are!, Plate 63
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: What a Sacrifice!, Plate 14, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.609
subject_titleWhat a Sacrifice!, Plate 14
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subject_titlePlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
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subject_creditlineLos Caprichos: Because She Was Susceptible, Plate 32, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.627
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subject_titleLads Making Ready, Plate 11
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