Hush!, Plate 28
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Hush!, Plate 28, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.623
subject_titleHush!, Plate 28
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 28 from "Los Caprichos": Hush (Chiton)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 28 from "Los Caprichos": Hush (Chiton)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
subject_titlePoor Little Girls!, Plate 22
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
subject_titlePoor Little Girls!, Plate 22
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)
subject_urlhttps://www.metmuseum.org/art/collection/search/377826
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Harry G. Friedman, 1962
subject_titlePlate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)
subject_urlhttps://www.metmuseum.org/art/collection/search/380541
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Providercma
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.668
subject_titleIt is Better to be Lazy, Plate 73
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Providercma
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subject_creditlineCaprices: Beggar Woman with a Baby and a Little Girl, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.82
subject_titleCaprices: Beggar Woman with a Baby and a Little Girl
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCaprices: Beggar Woman with a Baby and a Little Girl, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.82
subject_titleCaprices: Beggar Woman with a Baby and a Little Girl
subject_urlhttps://clevelandart.org/art/1962.82
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
subject_urlhttps://clevelandart.org/art/1922.611
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952
subject_titlePlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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subject_titleThe Russian Schube
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subject_creditlineLos Caprichos: You understand?...Well, as I say...eh! Look out! Otherwise..., Plate 76, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.671
subject_titleYou understand?...Well, as I say...eh! Look out! Otherwise..., Plate 76
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subject_creditlineHarris Brisbane Dick Fund, 1928
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provider_urlhttps://clevelandart.org/
subject_creditlineCaprices: Standing Beggar Woman Carrying a Child on her Back, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.85
subject_titleCaprices: Standing Beggar Woman Carrying a Child on her Back
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subject_creditlineCaprices: Seated Beggar Woman with Two Children, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.84
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