Why Hide Them?, Plate 30
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
subject_titleWhy Hide Them?, Plate 30
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)
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subject_creditlineHarris Brisbane Dick Fund, 1928
subject_titleDeath of Goetz von Berlichingen
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subject_creditlineLos Caprichos: Hobgoblins, Plate 49, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.644
subject_titleHobgoblins, Plate 49
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
subject_titleA Gift for the Master, Plate 47
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
subject_titlePoor Little Girls!, Plate 22
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)
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Providercma
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subject_creditlineLos Caprichos: You understand?...Well, as I say...eh! Look out! Otherwise..., Plate 76, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.671
subject_titleYou understand?...Well, as I say...eh! Look out! Otherwise..., Plate 76
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Yes, He Broke the Pot, Plate 25, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.620
subject_titleYes, He Broke the Pot, Plate 25
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleA group of people gambling
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966
subject_titleEpisode 28: At Logronium Saint Bernardino brings an injured boy back to life; Episode 29: Saint Peter appears to Saint Bernardino on the road to Rome; Episode 30: Saint Bernardino falls ill and dies in 1444, from "The Life of Saint Bernardino of Siena"
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subject_creditlineLos Caprichos: Be Quick, They are Waking Up, Plate 78, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.673
subject_titleBe Quick, They are Waking Up, Plate 78
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)
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subject_creditlineLos Caprichos: Poor Little Girls!, Plate 22, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.617
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)
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subject_creditlineLos Caprichos: Correction, Plate 46, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.641
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