Might Not the Pupil Know More?, Plate 37
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Depiction ID1922.632_web
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Might Not the Pupil Know More?, Plate 37, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.632
subject_titleMight Not the Pupil Know More?, Plate 37
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
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subject_creditlineLos Caprichos: Neither More Nor Less, Plate 41, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.636
subject_titleNeither More Nor Less, Plate 41
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
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subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleA Mother with two Children, from the Scherzi
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Of What Ill Will He Die?, Plate 40, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.4 x 15 cm (8 7/16 x 5 7/8 in.); paper: 31.2 x 20.4 cm (12 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.635
subject_titleOf What Ill Will He Die?, Plate 40
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleSeated magician, boy and four figures from the Scherzi di Fantasia
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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subject_creditlineLos Caprichos: And So was His Grandfather, Plate 39, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.634
subject_titleAnd So was His Grandfather, Plate 39
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380488
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1918
subject_titleLe Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
subject_urlhttps://www.metmuseum.org/art/collection/search/369341
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleTwo magicians and two boys, from the Scherzi
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleThe Family of the oriental Peasant, from the Scherzi
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provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
subject_titleA Gift for the Master, Plate 47
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subject_creditlineLos Caprichos: Trials, Plate 60, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.655
subject_titleTrials, Plate 60
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subject_creditlineLos Caprichos: Yes, He Broke the Pot, Plate 25, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.620
subject_titleYes, He Broke the Pot, Plate 25
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.2 x 15 cm (8 3/8 x 5 7/8 in.); sheet: 30.8 x 22.2 cm (12 1/8 x 8 3/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.276
subject_titleIt is Better to be Lazy, Plate 73
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subject_creditlineCaprices: Seated Beggar Woman with Two Children, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.84
subject_titleCaprices: Seated Beggar Woman with Two Children
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