Of What Ill Will He Die?, Plate 40
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Subject ID1922.635
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Providercma
Depiction ID1922.635_web
Subject ID1922.635
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Of What Ill Will He Die?, Plate 40, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.4 x 15 cm (8 7/16 x 5 7/8 in.); paper: 31.2 x 20.4 cm (12 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.635
subject_titleOf What Ill Will He Die?, Plate 40
subject_urlhttps://clevelandart.org/art/1922.635
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)
subject_urlhttps://www.metmuseum.org/art/collection/search/378024
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Providermetmuseum
Depiction IDmetmuseum:378024:primaryImage
Subject IDmetmuseum:378024
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)
subject_urlhttps://www.metmuseum.org/art/collection/search/378024
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Providercma
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Subject ID1922.636
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Neither More Nor Less, Plate 41, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.636
subject_titleNeither More Nor Less, Plate 41
subject_urlhttps://clevelandart.org/art/1922.636
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Providercma
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Subject ID1922.634
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: And So was His Grandfather, Plate 39, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.634
subject_titleAnd So was His Grandfather, Plate 39
subject_urlhttps://clevelandart.org/art/1922.634
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Providercma
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Subject ID1943.622
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAnimals in Landscapes: Donkeys, 1620–55. Herman van Swanevelt (Dutch, c. 1600–1655). Etching. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1943.622
subject_titleAnimals in Landscapes: Donkeys
subject_urlhttps://clevelandart.org/art/1943.622
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Providermetmuseum
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Subject IDmetmuseum:828856
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
subject_titlePlate 7: Bertoldino lying on a donkey, from "Bertoldo, Bertoldino, and Cacasenno"
subject_urlhttps://www.metmuseum.org/art/collection/search/828856
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Providercma
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Subject ID1982.179.50
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineReynard the Fox: The Jealous Ass, 1650–75. Allart van Everdingen (Dutch, 1621–1675). Etching. The Cleveland Museum of Art, Gift of Ellen V. Kloppman in memory of her parents, Mr. and Mrs. Bernard Vixseboxse, 1982.179.50
subject_titleReynard the Fox: The Jealous Ass
subject_urlhttps://clevelandart.org/art/1982.179.50
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Providermetmuseum
Depiction IDmetmuseum:399379:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titleLafontaine Tales, Amsterdam
subject_urlhttps://www.metmuseum.org/art/collection/search/399379
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Providermetmuseum
Depiction IDmetmuseum:380462:primaryImage
Subject IDmetmuseum:380462
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)
subject_urlhttps://www.metmuseum.org/art/collection/search/380462
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Providercma
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Subject ID1922.632
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Might Not the Pupil Know More?, Plate 37, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.632
subject_titleMight Not the Pupil Know More?, Plate 37
subject_urlhttps://clevelandart.org/art/1922.632
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Providermetmuseum
Depiction IDmetmuseum:378026:primaryImage
Subject IDmetmuseum:378026
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
subject_urlhttps://www.metmuseum.org/art/collection/search/378026
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Trials, Plate 60, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.655
subject_titleTrials, Plate 60
subject_urlhttps://clevelandart.org/art/1922.655
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
subject_urlhttps://www.metmuseum.org/art/collection/search/359901
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Providermetmuseum
Depiction IDmetmuseum:399447:primaryImage
Subject IDmetmuseum:399447
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleA Mother with two Children, from the Scherzi
subject_urlhttps://www.metmuseum.org/art/collection/search/399447
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Providermetmuseum
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Subject IDmetmuseum:342967
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleLycaon Transformed into a Wolf
subject_urlhttps://www.metmuseum.org/art/collection/search/342967
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Providercma
Depiction ID1922.597_web
Subject ID1922.597
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962
subject_titleThe Ass, Jealous of the Attention the Dog Is Getting From His Master, Looks to Imitate Him by Jumping at the Master's Neck from Hendrick van Alcmar's Renard The Fox
subject_urlhttps://www.metmuseum.org/art/collection/search/429623
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Providermetmuseum
Depiction IDmetmuseum:369336:primaryImage
Subject IDmetmuseum:369336
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
subject_urlhttps://www.metmuseum.org/art/collection/search/369336
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Providermetmuseum
Depiction IDmetmuseum:369341:primaryImage
Subject IDmetmuseum:369341
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1918
subject_titleLe Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
subject_urlhttps://www.metmuseum.org/art/collection/search/369341
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Providercma
Depiction ID1922.658_web
Subject ID1922.658
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Look How Solemn They Are!, Plate 63, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.658
subject_titleLook How Solemn They Are!, Plate 63
subject_urlhttps://clevelandart.org/art/1922.658
typeimage