There is Plenty to Suck, Plate 45
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Depiction ID1922.640_web
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: There is Plenty to Suck, Plate 45, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.640
subject_titleThere is Plenty to Suck, Plate 45
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
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subject_creditlineLos Caprichos: There is Plenty to Suck, Plate 45, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 20.3 x 15.1 cm (8 x 5 15/16 in.); sheet: 31 x 20.2 cm (12 3/16 x 7 15/16 in.). The Cleveland Museum of Art, Gift of Agnes Gund, 1972.203
subject_titleThere is Plenty to Suck, Plate 45
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380460
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
subject_titleA Gift for the Master, Plate 47
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Be Quick, They are Waking Up, Plate 78, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.673
subject_titleBe Quick, They are Waking Up, Plate 78
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provider_nameCleveland Museum of Art
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subject_creditlineCaprices: Seated Beggar Woman with Two Children, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.84
subject_titleCaprices: Seated Beggar Woman with Two Children
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subject_creditlineCaprices: Seated Beggar Woman with Two Children, c. 1642. Stefano Della Bella (Italian, 1610–1664). Etching. The Cleveland Museum of Art, Gift of the Mundane Club, 1962.84
subject_titleCaprices: Seated Beggar Woman with Two Children
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949
subject_titleA group of people gambling
subject_urlhttps://www.metmuseum.org/art/collection/search/816859
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Providermetmuseum
Depiction IDmetmuseum:378031:primaryImage
Subject IDmetmuseum:378031
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)
subject_urlhttps://www.metmuseum.org/art/collection/search/378031
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Providermetmuseum
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Subject IDmetmuseum:384185
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleSeated magician, boy and four figures from the Scherzi di Fantasia
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
subject_urlhttps://www.metmuseum.org/art/collection/search/378026
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Yes, He Broke the Pot, Plate 25, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.620
subject_titleYes, He Broke the Pot, Plate 25
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Lads Making Ready, Plate 11, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.606
subject_titleLads Making Ready, Plate 11
subject_urlhttps://clevelandart.org/art/1922.606
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.668
subject_titleIt is Better to be Lazy, Plate 73
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleNight scene in a cave with an old woman holding burning coals in a pot, a boy blowing into the fire at left
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Thanks To The Millet, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.567
subject_titleThe Horrors of War: Thanks To The Millet
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.5 x 14.7 cm (8 7/16 x 5 13/16 in.); sheet: 30.7 x 22.4 cm (12 1/16 x 8 13/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.270
subject_titleA Gift for the Master, Plate 47
subject_urlhttps://clevelandart.org/art/1956.270
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
subject_urlhttps://www.metmuseum.org/art/collection/search/333789
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Providercma
Depiction ID1922.598_web
Subject ID1922.598
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Here Comes the Bogeyman, Plate 3, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.598
subject_titleHere Comes the Bogeyman, Plate 3
subject_urlhttps://clevelandart.org/art/1922.598
typeimage