And Still They Don't Go!, Plate 59
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subject_creditlineLos Caprichos: And Still They Don't Go!, Plate 59, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.654
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subject_creditlineLos Caprichos: And Still They Don't Go!, Plate 59, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.654
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)
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subject_titlePlate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Love and Death, Plate 10, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.605
subject_titleLove and Death, Plate 10
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Where is Mother Going?, Plate 65, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.660
subject_titleWhere is Mother Going?, Plate 65
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 80 from "Los Caprichos": It is time (Ya es hora)
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subject_creditlineLos Caprichos: It is Time, Plate 80, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.5 x 15 cm (8 7/16 x 5 7/8 in.); sheet: 31.1 x 22.5 cm (12 1/4 x 8 7/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.277
subject_titleIt is Time, Plate 80
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subject_creditlineLos Caprichos: It is Time, Plate 80, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.675
subject_titleIt is Time, Plate 80
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Who Would Have Thought It!, Plate 62, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.657
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subject_creditlineLos Caprichos: When Day Breaks We Will Be Off, Plate 71, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.666
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subject_creditlineLos Caprichos: Blow, Plate 69, 1799. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, drypoint and engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1967.128
subject_titleBlow, Plate 69
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)
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subject_creditlineLos Caprichos: Can't Anyone Untie Us?, Plate 75, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.670
subject_titleCan't Anyone Untie Us?, Plate 75
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provider_nameThe Metropolitan Museum of Art
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subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)
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subject_creditlineLos Caprichos: What One Does to Another, Plate 77, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.672
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
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subject_creditlineHarris Brisbane Dick Fund, 1930
subject_titlePlate 9: Tantalus (Tantalo), from "Los Caprichos"
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)
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