Look How Solemn They Are!, Plate 63
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Look How Solemn They Are!, Plate 63, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.658
subject_titleLook How Solemn They Are!, Plate 63
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)
subject_urlhttps://www.metmuseum.org/art/collection/search/380703
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Where is Mother Going?, Plate 65, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.660
subject_titleWhere is Mother Going?, Plate 65
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Trials, Plate 60, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.655
subject_titleTrials, Plate 60
subject_urlhttps://clevelandart.org/art/1922.655
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Providercma
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Subject ID1922.637
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Thou Who Canst Not, Plate 42, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.637
subject_titleThou Who Canst Not, Plate 42
subject_urlhttps://clevelandart.org/art/1922.637
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)
subject_urlhttps://www.metmuseum.org/art/collection/search/380491
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Who Would Have Thought It!, Plate 62, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.657
subject_titleWho Would Have Thought It!, Plate 62
subject_urlhttps://clevelandart.org/art/1922.657
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: There It Goes, Plate 66, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.661
subject_titleThere It Goes, Plate 66
subject_urlhttps://clevelandart.org/art/1922.661
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePllate 60 from "Los Caprichos": Trials (Ensayos)
subject_urlhttps://www.metmuseum.org/art/collection/search/380707
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: And Still They Don't Go!, Plate 59, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.654
subject_titleAnd Still They Don't Go!, Plate 59
subject_urlhttps://clevelandart.org/art/1922.654
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Devout Profession, Plate 70, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.665
subject_titleDevout Profession, Plate 70
subject_urlhttps://clevelandart.org/art/1922.665
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Of What Ill Will He Die?, Plate 40, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.4 x 15 cm (8 7/16 x 5 7/8 in.); paper: 31.2 x 20.4 cm (12 5/16 x 8 1/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.635
subject_titleOf What Ill Will He Die?, Plate 40
subject_urlhttps://clevelandart.org/art/1922.635
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Providercma
Depiction ID1922.622_web
Subject ID1922.622
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Which of Them is the More Overcome?, Plate 27, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.622
subject_titleWhich of Them is the More Overcome?, Plate 27
subject_urlhttps://clevelandart.org/art/1922.622
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Phyllis Massar, 2011
subject_titlePlate 70: Devout Profession (Devota Profesion), from "Los Caprichos"
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Carried Her Off!, Plate 8, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.603
subject_titleThey Carried Her Off!, Plate 8
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Might Not the Pupil Know More?, Plate 37, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.632
subject_titleMight Not the Pupil Know More?, Plate 37
subject_urlhttps://clevelandart.org/art/1922.632
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Providermetmuseum
Depiction IDmetmuseum:380715:primaryImage
Subject IDmetmuseum:380715
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
subject_urlhttps://www.metmuseum.org/art/collection/search/380715
typeimage
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Providercma
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Subject ID1922.662
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Wait Till You've Been Anointed, Plate 67, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.662
subject_titleWait Till You've Been Anointed, Plate 67
subject_urlhttps://clevelandart.org/art/1922.662
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1941
subject_titleThe Fate of Dirce, from "Speculum Romanae Magnificentiae"
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: This Is Worse, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.553
subject_titleThe Horrors of War: This Is Worse
subject_urlhttps://clevelandart.org/art/1922.553
typeimage