Wait Till You've Been Anointed, Plate 67
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Subject ID1922.662
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Providercma
Depiction ID1922.662_web
Subject ID1922.662
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Wait Till You've Been Anointed, Plate 67, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.662
subject_titleWait Till You've Been Anointed, Plate 67
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titleThe Caprices (Los Caprichos), plates 1-80
subject_urlhttps://www.metmuseum.org/art/collection/search/333801
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Providermetmuseum
Depiction IDmetmuseum:380715:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
subject_urlhttps://www.metmuseum.org/art/collection/search/380715
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Look How Solemn They Are!, Plate 63, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.658
subject_titleLook How Solemn They Are!, Plate 63
subject_urlhttps://clevelandart.org/art/1922.658
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Unhappy Mother, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.566
subject_titleThe Horrors of War: Unhappy Mother
subject_urlhttps://clevelandart.org/art/1922.566
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Thou Who Canst Not, Plate 42, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.637
subject_titleThou Who Canst Not, Plate 42
subject_urlhttps://clevelandart.org/art/1922.637
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: He Deserved It, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.545
subject_titleThe Horrors of War: He Deserved It
subject_urlhttps://clevelandart.org/art/1922.545
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titleThe Caprices (Los Caprichos), plates 1-80
subject_urlhttps://www.metmuseum.org/art/collection/search/333801
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Which of Them is the More Overcome?, Plate 27, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.622
subject_titleWhich of Them is the More Overcome?, Plate 27
subject_urlhttps://clevelandart.org/art/1922.622
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Carried Her Off!, Plate 8, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.603
subject_titleThey Carried Her Off!, Plate 8
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Two of a Kind, Plate 5, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.600
subject_titleTwo of a Kind, Plate 5
subject_urlhttps://clevelandart.org/art/1922.600
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Rightly or Wrongly, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.518
subject_titleThe Horrors of War: Rightly or Wrongly
subject_urlhttps://clevelandart.org/art/1922.518
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
subject_urlhttps://www.metmuseum.org/art/collection/search/377827
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.554
subject_titleBullfights: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineDorothy Braude Edinburg Fund and Purchase
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
subject_urlhttps://www.metmuseum.org/art/collection/search/365887
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineBequest of Joan G. Smith, 2024
subject_titleFishwife And Two Sailors on the Shore
subject_urlhttps://www.metmuseum.org/art/collection/search/905144
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Might Not the Pupil Know More?, Plate 37, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.632
subject_titleMight Not the Pupil Know More?, Plate 37
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: An Heroic Feat! With Dead Men!, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.555
subject_titleThe Horrors of War: An Heroic Feat! With Dead Men!
subject_urlhttps://clevelandart.org/art/1922.555
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