When Day Breaks We Will Be Off, Plate 71
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Subject ID1922.666
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Depiction ID1922.666_web
Subject ID1922.666
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: When Day Breaks We Will Be Off, Plate 71, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.666
subject_titleWhen Day Breaks We Will Be Off, Plate 71
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: When Day Breaks We Will Be Off, Plate 71, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; image: 17.3 x 12.7 cm (6 13/16 x 5 in.); plate: 19.7 x 14.9 cm (7 3/4 x 5 7/8 in.); sheet: 32 x 22.4 cm (12 5/8 x 8 13/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.274
subject_titleWhen Day Breaks We Will Be Off, Plate 71
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Providercma
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Subject ID1967.128
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Blow, Plate 69, 1799. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, drypoint and engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1967.128
subject_titleBlow, Plate 69
subject_urlhttps://clevelandart.org/art/1967.128
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Where is Mother Going?, Plate 65, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.660
subject_titleWhere is Mother Going?, Plate 65
subject_urlhttps://clevelandart.org/art/1922.660
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: And Still They Don't Go!, Plate 59, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.654
subject_titleAnd Still They Don't Go!, Plate 59
subject_urlhttps://clevelandart.org/art/1922.654
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, Dodge and Pfeiffer Funds, and Joseph Pulitzer Bequest; and Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleSatyr Family with the Obelisk, from the Scherzi
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Providercma
Depiction ID1975.122.4_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlinePassion Set: The Treason of Judas, 1596–98. Zacharias Dolendo (Dutch, 1561–1604), after Karel van Mander I (Dutch, 1548–1606), Jacob de Gheyn II (Netherlandish, 1565–1629). Engraving. The Cleveland Museum of Art, Delia E. Holden Fund, 1975.122.4
subject_titlePassion Set: The Treason of Judas
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Providercma
Depiction ID1922.654_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: And Still They Don't Go!, Plate 59, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.654
subject_titleAnd Still They Don't Go!, Plate 59
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Correction, Plate 46, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.641
subject_titleCorrection, Plate 46
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleLoyalty, from "The Disparates" (Follies / Irrationalities)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: What One Does to Another, Plate 77, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.672
subject_titleWhat One Does to Another, Plate 77
subject_urlhttps://clevelandart.org/art/1922.672
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_title'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/333834
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: How They Pluck Her!, Plate 21, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.616
subject_titleHow They Pluck Her!, Plate 21
subject_urlhttps://clevelandart.org/art/1922.616
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titleMartyrdom of a saint
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Tale-Bearers--Blasts of Wind, Plate 48, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.643
subject_titleTale-Bearers--Blasts of Wind, Plate 48
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1969
subject_titleDiablerie
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Sleep of Reason Produces Monsters, Plate 43, 1799 (c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.638
subject_titleThe Sleep of Reason Produces Monsters, Plate 43
subject_urlhttps://clevelandart.org/art/1922.638
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleFunereal Folly, from "The Disparates" (Follies / Irrationalities)
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provider_urlhttps://clevelandart.org/
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