It is Better to be Lazy, Plate 73
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Depiction ID1922.668_web
Subject ID1922.668
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Providercma
Depiction ID1922.668_web
Subject ID1922.668
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.668
subject_titleIt is Better to be Lazy, Plate 73
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: It is Better to be Lazy, Plate 73, 1799. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint; platemark: 21.2 x 15 cm (8 3/8 x 5 7/8 in.); sheet: 30.8 x 22.2 cm (12 1/8 x 8 3/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1956.276
subject_titleIt is Better to be Lazy, Plate 73
subject_urlhttps://clevelandart.org/art/1956.276
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380488
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)
subject_urlhttps://www.metmuseum.org/art/collection/search/380488
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Even Thus He Cannot Make Her Out, Plate 7, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.602
subject_titleEven Thus He Cannot Make Her Out, Plate 7
subject_urlhttps://clevelandart.org/art/1922.602
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Providercma
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Subject ID1922.639
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Spin Finely, Plate 44, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.639
subject_titleThey Spin Finely, Plate 44
subject_urlhttps://clevelandart.org/art/1922.639
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: No One Knows Himself, Plate 6, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.601
subject_titleNo One Knows Himself, Plate 6
subject_urlhttps://clevelandart.org/art/1922.601
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Providercma
Depiction ID1922.623_web
Subject ID1922.623
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Hush!, Plate 28, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.623
subject_titleHush!, Plate 28
subject_urlhttps://clevelandart.org/art/1922.623
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Providercma
Depiction ID1922.652_web
Subject ID1922.652
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: The Filiation, Plate 57, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.652
subject_titleThe Filiation, Plate 57
subject_urlhttps://clevelandart.org/art/1922.652
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Providermetmuseum
Depiction IDmetmuseum:338474:primaryImage
Subject IDmetmuseum:338474
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 44 from "Los Caprichos": They spin finely (Hilan delgado)
subject_urlhttps://www.metmuseum.org/art/collection/search/338474
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Providercma
Depiction ID1922.611_web
Subject ID1922.611
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: For Heaven's Sake: and It Was Her Mother, Plate 16, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.611
subject_titleFor Heaven's Sake: and It Was Her Mother, Plate 16
subject_urlhttps://clevelandart.org/art/1922.611
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Providercma
Depiction ID1922.597_web
Subject ID1922.597
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: They Say "Yes" and Give Their Hand to the First Comer, Plate 2, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.597
subject_titleThey Say "Yes" and Give Their Hand to the First Comer, Plate 2
subject_urlhttps://clevelandart.org/art/1922.597
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineThe Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951
subject_titlePlate 76: A procuress
subject_urlhttps://www.metmuseum.org/art/collection/search/927105
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Providermetmuseum
Depiction IDmetmuseum:831187:primaryImage
Subject IDmetmuseum:831187
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleHe rose like those small sea monsters that decorate the fountains, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831187
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Providermetmuseum
Depiction IDmetmuseum:380704:primaryImage
Subject IDmetmuseum:380704
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 57 from "Los Caprichos": The filiation (La filiacion)
subject_urlhttps://www.metmuseum.org/art/collection/search/380704
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Providermetmuseum
Depiction IDmetmuseum:813326:primaryImage
Subject IDmetmuseum:813326
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. John H. Sichel, 1966
subject_titleScene with tailors and beggars
subject_urlhttps://www.metmuseum.org/art/collection/search/813326
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Providermetmuseum
Depiction IDmetmuseum:369336:primaryImage
Subject IDmetmuseum:369336
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Nanny's Boy, Plate 4, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.599
subject_titleNanny's Boy, Plate 4
subject_urlhttps://clevelandart.org/art/1922.599
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Distance0.23137271
Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: A Gift for the Master, Plate 47, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.642
subject_titleA Gift for the Master, Plate 47
subject_urlhttps://clevelandart.org/art/1922.642
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Providermetmuseum
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Subject IDmetmuseum:377785
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)
subject_urlhttps://www.metmuseum.org/art/collection/search/377785
typeimage
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Providercma
Depiction ID1922.669_web
Subject ID1922.669
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLos Caprichos: Don't Scream Stupid, Plate 74, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.669
subject_titleDon't Scream Stupid, Plate 74
subject_urlhttps://clevelandart.org/art/1922.669
typeimage