Be Quick, They are Waking Up, Plate 78
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Depiction ID1922.673_web
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Be Quick, They are Waking Up, Plate 78, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.673
subject_titleBe Quick, They are Waking Up, Plate 78
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
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Providermetmuseum
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)
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subject_creditlineHarris Brisbane Dick Fund, 1917
subject_titlePlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
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subject_creditlineGift of Mrs. Grafton H. Pyne, 1951
subject_titlePlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
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provider_nameCleveland Museum of Art
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subject_creditlineLos Caprichos: Why Hide Them?, Plate 30, 1799 (printed c. 1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.625
subject_titleWhy Hide Them?, Plate 30
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subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleSix people watching a snake, from the Scherzi
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subject_creditlineLos Caprichos: There is Plenty to Suck, Plate 45, 1799 (printed c.1855). Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.640
subject_titleThere is Plenty to Suck, Plate 45
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineHarris Brisbane Dick Fund, 1953
subject_titlePlate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
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subject_creditlineVarious Caprices: The Philosopher Holding a Book, 1735–50. Giovanni Battista Tiepolo (Italian, 1696–1770). Etching. The Cleveland Museum of Art, Gift of Mr. and Mrs. H. Austin Hauxhurst, 1964.466
subject_titleVarious Caprices: The Philosopher Holding a Book
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)
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subject_creditlinePurchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund; Dodge and Pfeiffer Funds; Joseph Pulitzer Bequest; Gift of Bertina Suida Manning and Robert L. Manning, 1976
subject_titleMagician pointing out a burning head to two youths, from the Scherzi
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineGift of M. Knoedler & Co., 1918
subject_titlePlate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)
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subject_creditlineLos Caprichos: You understand?...Well, as I say...eh! Look out! Otherwise..., Plate 76, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.671
subject_titleYou understand?...Well, as I say...eh! Look out! Otherwise..., Plate 76
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subject_creditlineLos Caprichos: Yes, He Broke the Pot, Plate 25, 1799, printed c. 1855. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.620
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subject_creditlineBequest of Phyllis Massar, 2011
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