Bullfights:  The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country
Providercma
Depiction ID1923.540_web
Subject ID1923.540
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1923.540_web
Subject ID1923.540
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.540/1923.540_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.540
subject_titleBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country
subject_urlhttps://clevelandart.org/art/1923.540
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.07989788
Providermetmuseum
Depiction IDmetmuseum:397858:primaryImage
Subject IDmetmuseum:397858
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP817776.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP817776.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
subject_urlhttps://www.metmuseum.org/art/collection/search/397858
typeimage
Distance0.09433091
Providercma
Depiction ID1923.549_web
Subject ID1923.549
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.549/1923.549_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Charles V spearing a bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.549
subject_titleBullfights: Charles V spearing a bull
subject_urlhttps://clevelandart.org/art/1923.549
typeimage
Distance0.09913373
Providercma
Depiction ID1923.544_web
Subject ID1923.544
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.544/1923.544_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.544
subject_titleBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules
subject_urlhttps://clevelandart.org/art/1923.544
typeimage
Distance0.099915385
Providercma
Depiction ID1923.556_web
Subject ID1923.556
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.556/1923.556_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.556
subject_titleBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls
subject_urlhttps://clevelandart.org/art/1923.556
typeimage
Distance0.10208613
Providercma
Depiction ID1923.550_web
Subject ID1923.550
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.550/1923.550_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: El Cid Campeador Spearing Another Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.550
subject_titleBullfights: El Cid Campeador Spearing Another Bull
subject_urlhttps://clevelandart.org/art/1923.550
typeimage
Distance0.11066365
Providercma
Depiction ID1923.548_web
Subject ID1923.548
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.548/1923.548_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Spanish Knight Kills the Bull After Having Lost His Horse, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.548
subject_titleBullfights: A Spanish Knight Kills the Bull After Having Lost His Horse
subject_urlhttps://clevelandart.org/art/1923.548
typeimage
Distance0.11344695
Providermetmuseum
Depiction IDmetmuseum:397887:primaryImage
Subject IDmetmuseum:397887
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP817783.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP817783.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
subject_urlhttps://www.metmuseum.org/art/collection/search/397887
typeimage
Distance0.11668295
Providercma
Depiction ID1923.578_web
Subject ID1923.578
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.578/1923.578_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.578
subject_titleBullfights: The Death of Pepe Illo (3rd Composition)
subject_urlhttps://clevelandart.org/art/1923.578
typeimage
Distance0.11678165
Providercma
Depiction ID1923.561_web
Subject ID1923.561
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.561/1923.561_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.561
subject_titleBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa
subject_urlhttps://clevelandart.org/art/1923.561
typeimage
Distance0.11688763
Providercma
Depiction ID1923.567_web
Subject ID1923.567
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.567/1923.567_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.567
subject_titleBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid
subject_urlhttps://clevelandart.org/art/1923.567
typeimage
Distance0.11780012
Providercma
Depiction ID1923.573_web
Subject ID1923.573
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.573/1923.573_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.573
subject_titleBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants
subject_urlhttps://clevelandart.org/art/1923.573
typeimage
Distance0.12033272
Providercma
Depiction ID1923.577_web
Subject ID1923.577
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.577/1923.577_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Death of Pepe Illo (2nd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.577
subject_titleBullfights: The Death of Pepe Illo (2nd Composition)
subject_urlhttps://clevelandart.org/art/1923.577
typeimage
Distance0.12255341
Providercma
Depiction ID1923.551_web
Subject ID1923.551
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.551/1923.551_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.551
subject_titleBullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms
subject_urlhttps://clevelandart.org/art/1923.551
typeimage
Distance0.123636305
Providercma
Depiction ID1922.543_web
Subject ID1922.543
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1922.543/1922.543_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Charity, 1810. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.543
subject_titleThe Horrors of War: Charity
subject_urlhttps://clevelandart.org/art/1922.543
typeimage
Distance0.123944044
Providercma
Depiction ID1923.547_web
Subject ID1923.547
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.547/1923.547_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
subject_titleBullfights: A Moor Caught by a Bull in the Ring
subject_urlhttps://clevelandart.org/art/1923.547
typeimage
Distance0.12469244
Providercma
Depiction ID1923.570_web
Subject ID1923.570
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.570/1923.570_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Banderillas with Firecrackers, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.570
subject_titleBullfights: Banderillas with Firecrackers
subject_urlhttps://clevelandart.org/art/1923.570
typeimage
Distance0.127123
Providercma
Depiction ID1923.545_web
Subject ID1923.545
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.545/1923.545_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.545
subject_titleBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous
subject_urlhttps://clevelandart.org/art/1923.545
typeimage
Distance0.1276499
Providercma
Depiction ID1923.566_web
Subject ID1923.566
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.566/1923.566_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.566
subject_titleBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique
subject_urlhttps://clevelandart.org/art/1923.566
typeimage
Distance0.12888908
Providercma
Depiction ID1923.542_web
Subject ID1923.542
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.542/1923.542_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.542
subject_titleBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open
subject_urlhttps://clevelandart.org/art/1923.542
typeimage
Distance0.13042688
Providercma
Depiction ID1923.575_web
Subject ID1923.575
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1923.575/1923.575_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Dog Let Loose on the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.575
subject_titleBullfights: The Dog Let Loose on the Bull
subject_urlhttps://clevelandart.org/art/1923.575
typeimage