Bullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.542
subject_titleBullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open
subject_urlhttps://clevelandart.org/art/1923.542
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open
subject_urlhttps://www.metmuseum.org/art/collection/search/397856
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Moors Settled in Spain, Giving Up the Superstitions of the Qur'an, Adopted this Art of Hunting, and Spear a Bull in the Open, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint, drypoint and engraving. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1984.93
subject_titleThe Moors Settled in Spain, Giving Up the Superstitions of the Qur'an, Adopted this Art of Hunting, and Spear a Bull in the Open
subject_urlhttps://clevelandart.org/art/1984.93
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Providermetmuseum
Depiction IDmetmuseum:384326:primaryImage
Subject IDmetmuseum:384326
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCarnival Folly, from "The Disparates" (Follies / Irrationalities)
subject_urlhttps://www.metmuseum.org/art/collection/search/384326
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Rightly or Wrongly, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.518
subject_titleThe Horrors of War: Rightly or Wrongly
subject_urlhttps://clevelandart.org/art/1922.518
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGod Creates Them and They Join Up Together, 1815–24. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Gift of Philip Hofer, 1924.915
subject_titleGod Creates Them and They Join Up Together
subject_urlhttps://clevelandart.org/art/1924.915
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, Jacob H. Schiff Bequest, 1922
subject_titlePlate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)
subject_urlhttps://www.metmuseum.org/art/collection/search/381298
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: They Do Not Know The Way, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.586
subject_titleThe Horrors of War: They Do Not Know The Way
subject_urlhttps://clevelandart.org/art/1922.586
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Providercma
Depiction ID1923.540_web
Subject ID1923.540
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.540
subject_titleBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country
subject_urlhttps://clevelandart.org/art/1923.540
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1930
subject_titlePlate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)
subject_urlhttps://www.metmuseum.org/art/collection/search/333950
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMen and Donkeys, Rome, 1880. Robert Frederick Blum (American, 1857–1903). Etching. The Cleveland Museum of Art, Gift of the Cincinnati Museum Association, 1920.1308
subject_titleMen and Donkeys, Rome
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditline20: The Horrors of War: It Will Be the Same, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.537
subject_titleThe Horrors of War: It Will Be the Same
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Rabble, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.544
subject_titleThe Horrors of War: Rabble
subject_urlhttps://clevelandart.org/art/1922.544
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Providercma
Depiction ID1922.545_web
Subject ID1922.545
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: He Deserved It, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.545
subject_titleThe Horrors of War: He Deserved It
subject_urlhttps://clevelandart.org/art/1922.545
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Providercma
Depiction ID1923.578_web
Subject ID1923.578
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.578
subject_titleBullfights: The Death of Pepe Illo (3rd Composition)
subject_urlhttps://clevelandart.org/art/1923.578
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
subject_titleBullfights: A Moor Caught by a Bull in the Ring
subject_urlhttps://clevelandart.org/art/1923.547
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: I Saw It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.560
subject_titleThe Horrors of War: I Saw It
subject_urlhttps://clevelandart.org/art/1922.560
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1932
subject_titlePlate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: The Healthy and the Sick, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.573
subject_titleThe Horrors of War: The Healthy and the Sick
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: There Isn't Time Now, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.535
subject_titleThe Horrors of War: There Isn't Time Now
subject_urlhttps://clevelandart.org/art/1922.535
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.567
subject_titleBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid
subject_urlhttps://clevelandart.org/art/1923.567
typeimage