Bullfights: They Play Another with the Cape in an Enclosure
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Subject ID1923.543
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Providercma
Depiction ID1923.543_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: They Play Another with the Cape in an Enclosure, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.543
subject_titleBullfights: They Play Another with the Cape in an Enclosure
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.545
subject_titleBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous
subject_urlhttps://clevelandart.org/art/1923.545
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/397891
typeimage
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
subject_urlhttps://www.metmuseum.org/art/collection/search/397893
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.556
subject_titleBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls
subject_urlhttps://clevelandart.org/art/1923.556
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 4 from "La Tauromaquia": They play another with the cape in an enclosure
subject_urlhttps://www.metmuseum.org/art/collection/search/397862
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.551
subject_titleBullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
subject_urlhttps://www.metmuseum.org/art/collection/search/365884
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.544
subject_titleBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
subject_titleBullfights: A Moor Caught by a Bull in the Ring
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
subject_titleBullfights: Origin of the Harpoons or Banderillas
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Providercma
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Subject ID1923.540
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.540
subject_titleBullfights: The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country
subject_urlhttps://clevelandart.org/art/1923.540
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Daring of Martincho in the Ring at Saragossa, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.557
subject_titleBullfights: The Daring of Martincho in the Ring at Saragossa
subject_urlhttps://clevelandart.org/art/1923.557
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Horse Thrown by the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.574
subject_titleBullfights: A Horse Thrown by the Bull
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Providercma
Depiction ID1923.572_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.572
subject_titleBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid
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Providermetmuseum
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Subject IDmetmuseum:365886
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
subject_urlhttps://www.metmuseum.org/art/collection/search/365886
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/397891
typeimage
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Picador is Unhorsed and Falls Under the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.565
subject_titleBullfights: A Picador is Unhorsed and Falls Under the Bull
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: El Cid Campeador Spearing Another Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.550
subject_titleBullfights: El Cid Campeador Spearing Another Bull
subject_urlhttps://clevelandart.org/art/1923.550
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Providermetmuseum
Depiction IDmetmuseum:397887:primaryImage
Subject IDmetmuseum:397887
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
subject_urlhttps://www.metmuseum.org/art/collection/search/397887
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 2 from "La Tauromaquia": Another way of hunting on foot
subject_urlhttps://www.metmuseum.org/art/collection/search/397860
typeimage