Bullfights: Origin of the Harpoons or Banderillas
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Subject ID1923.546
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Providercma
Depiction ID1923.546_web
Subject ID1923.546
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
subject_titleBullfights: Origin of the Harpoons or Banderillas
subject_urlhttps://clevelandart.org/art/1923.546
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
subject_urlhttps://www.metmuseum.org/art/collection/search/397864
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.576
subject_titleBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull
subject_urlhttps://clevelandart.org/art/1923.576
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.572
subject_titleBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid
subject_urlhttps://clevelandart.org/art/1923.572
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Pedro Romeo Killing the Halted Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.569
subject_titleBullfights: Pedro Romeo Killing the Halted Bull
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Another Madness of his in the Same Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.558
subject_titleBullfights: Another Madness of his in the Same Ring
subject_urlhttps://clevelandart.org/art/1923.558
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
subject_urlhttps://www.metmuseum.org/art/collection/search/397901
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Providercma
Depiction ID1923.559_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.559
subject_titleBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid
subject_urlhttps://clevelandart.org/art/1923.559
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Providermetmuseum
Depiction IDmetmuseum:397873:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 19 of "La Tauromaquia": Another madness of his in the same ring
subject_urlhttps://www.metmuseum.org/art/collection/search/397873
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Providermetmuseum
Depiction IDmetmuseum:397866:primaryImage
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
subject_urlhttps://www.metmuseum.org/art/collection/search/397866
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Picador is Unhorsed and Falls Under the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.565
subject_titleBullfights: A Picador is Unhorsed and Falls Under the Bull
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.566
subject_titleBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique
subject_urlhttps://clevelandart.org/art/1923.566
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
subject_urlhttps://www.metmuseum.org/art/collection/search/397900
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
subject_urlhttps://www.metmuseum.org/art/collection/search/360410
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.553
subject_titleBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 4 from "La Tauromaquia": They play another with the cape in an enclosure
subject_urlhttps://www.metmuseum.org/art/collection/search/397862
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
subject_titleBullfights: A Moor Caught by a Bull in the Ring
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
subject_urlhttps://www.metmuseum.org/art/collection/search/397902
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.552
subject_titleBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants
subject_urlhttps://clevelandart.org/art/1923.552
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
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Providercma
Depiction ID1923.551_web
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.551
subject_titleBullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms
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