Bullfights: A Spanish Knight Kills the Bull After Having Lost His Horse
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Spanish Knight Kills the Bull After Having Lost His Horse, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.548
subject_titleBullfights: A Spanish Knight Kills the Bull After Having Lost His Horse
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.562
subject_titleBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse
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provider_nameCleveland Museum of Art
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subject_creditlineLa Tauramaquia: A Spanish Knight Kills the Bull after Having Lost His Horse, 1815–1816. Francisco de Goya (Spanish, 1746–1828). Etching, aquatint and engraving. The Cleveland Museum of Art, Gift of Barbara and Joe Meals in memory of Moselle Taylor Meals, 1984.74
subject_titleLa Tauramaquia: A Spanish Knight Kills the Bull after Having Lost His Horse
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.578
subject_titleBullfights: The Death of Pepe Illo (3rd Composition)
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
subject_titleBullfights: A Moor Caught by a Bull in the Ring
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Death of Pepe Illo (2nd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.577
subject_titleBullfights: The Death of Pepe Illo (2nd Composition)
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Two Teams of Picadors Thrown One After the Other by a Single Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.571
subject_titleBullfights: Two Teams of Picadors Thrown One After the Other by a Single Bull
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.572
subject_titleBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.554
subject_titleBullfights: The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.573
subject_titleBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Dog Let Loose on the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.575
subject_titleBullfights: The Dog Let Loose on the Bull
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.556
subject_titleBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.566
subject_titleBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.576
subject_titleBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.544
subject_titleBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.552
subject_titleBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.561
subject_titleBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Horse Thrown by the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.574
subject_titleBullfights: A Horse Thrown by the Bull
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