Bullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.553
subject_titleBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Pedro Romeo Killing the Halted Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.569
subject_titleBullfights: Pedro Romeo Killing the Halted Bull
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.563
subject_titleBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Origin of the Harpoons or Banderillas, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.546
subject_titleBullfights: Origin of the Harpoons or Banderillas
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Picador is Unhorsed and Falls Under the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.565
subject_titleBullfights: A Picador is Unhorsed and Falls Under the Bull
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.576
subject_titleBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.572
subject_titleBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
subject_urlhttps://www.metmuseum.org/art/collection/search/397901
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
subject_urlhttps://www.metmuseum.org/art/collection/search/397893
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Bulls of Bordeaux: Bullfight in a Divided Ring, 1825. Francisco de Goya (Spanish, 1746–1828). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1951.81
subject_titleThe Bulls of Bordeaux: Bullfight in a Divided Ring
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.559
subject_titleBullfights: The Agility and Audacity of Juanito Apinani in (the Ring) at Madrid
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Walter E. Sachs, 1916
subject_titleA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
subject_urlhttps://www.metmuseum.org/art/collection/search/333782
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: Another Madness of his in the Same Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.558
subject_titleBullfights: Another Madness of his in the Same Ring
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.573
subject_titleBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.566
subject_titleBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
subject_urlhttps://www.metmuseum.org/art/collection/search/365889
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.552
subject_titleBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.545
subject_titleBullfights: The Moors Make a Different Play in the Ring Calling the Bull with the Burnous
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provider_nameCleveland Museum of Art
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subject_creditlineThe Bulls of Bordeaux: Picador Caught by a Bull, 1825. Francisco de Goya (Spanish, 1746–1828). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1951.79
subject_titleThe Bulls of Bordeaux: Picador Caught by a Bull
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
subject_urlhttps://www.metmuseum.org/art/collection/search/371545
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