Bullfights: The Same Man Throws a Bull in the Ring at Madrid
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Same Man Throws a Bull in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.555
subject_titleBullfights: The Same Man Throws a Bull in the Ring at Madrid
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subject_creditlineThe Horrors of War: The Women Give Courage, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.520
subject_titleThe Horrors of War: The Women Give Courage
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: And There's No Help For It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.531
subject_titleThe Horrors of War: And There's No Help For It
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: I Saw It, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.560
subject_titleThe Horrors of War: I Saw It
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineThe Horrors of War: Neither Do These, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.527
subject_titleThe Horrors of War: Neither Do These
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: They Do Not Agree, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.533
subject_titleThe Horrors of War: They Do Not Agree
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: That's Tough!, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.547
subject_titleThe Horrors of War: That's Tough!
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: One Can't Look, 1810–20, published 1863. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.542
subject_titleThe Horrors of War: One Can't Look
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: There is No One to Help Them, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching and aquatint. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.576
subject_titleThe Horrors of War: There is No One to Help Them
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Providercma
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subject_creditlineLittle Prisoner, 1867. Francisco de Goya (Spanish, 1746–1828). Etching and engraving. The Cleveland Museum of Art, Gift of Mrs. John B. Dempsey, 1994.43
subject_titleLittle Prisoner
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Rightly or Wrongly, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.518
subject_titleThe Horrors of War: Rightly or Wrongly
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleThe Exhortations, from "The Disparates" (Follies / Irrationalities)
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, The Isaacson-Draper Foundation Gift, 2009
subject_titleÄngste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: This is How it Happened, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.563
subject_titleThe Horrors of War: This is How it Happened
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1924
subject_titleCruel Folly, from "The Disparates" (Follies / Irrationalities)
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineElectrocution, first state, 1917. George Bellows (American, 1882–1925). Lithograph. The Cleveland Museum of Art, Gift of Leonard C. Hanna Jr., 1936.576
subject_titleElectrocution, first state
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Bitter to be Present, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.529
subject_titleThe Horrors of War: Bitter to be Present
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Horrors of War: Thanks To The Millet, c. 1810–20. Francisco de Goya (Spanish, 1746–1828). Etching. The Cleveland Museum of Art, Dudley P. Allen Fund, 1922.567
subject_titleThe Horrors of War: Thanks To The Millet
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineJohn B. Turner Fund
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