Bullfights: They Loose Dogs on the Bull
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: They Loose Dogs on the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.564
subject_titleBullfights: They Loose Dogs on the Bull
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 25 from "La Tauromaquia": They loose dogs on the bull
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineBequest of Grace M. Pugh, 1985
subject_titlePlate C: The dogs let loose on the bull, from "Tauromaquia"
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Dog Let Loose on the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.575
subject_titleBullfights: The Dog Let Loose on the Bull
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.563
subject_titleBullfights: The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.573
subject_titleBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants
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Providercma
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.544
subject_titleBullfights: The Spirited Moor Gazul is the First to Fight According to the Rules
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
subject_urlhttps://www.metmuseum.org/art/collection/search/371545
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.562
subject_titleBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 31 of "La Tauromaquia": Banderillas with firecrackers
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.566
subject_titleBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Banderillas with Firecrackers, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.570
subject_titleBullfights: Banderillas with Firecrackers
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.578
subject_titleBullfights: The Death of Pepe Illo (3rd Composition)
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subject_creditlineBullfights: The Death of Pepe Illo (2nd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.577
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provider_nameThe Metropolitan Museum of Art
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subject_creditlineRogers Fund, 1921
subject_titlePlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
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Providercma
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.553
subject_titleBullfights: The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
subject_titleBullfights: A Moor Caught by a Bull in the Ring
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titlePlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
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subject_titlePlate 25 from "La Tauromaquia": They loose dogs on the bull
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subject_creditlineRogers Fund, 1921
subject_titlePlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.572
subject_titleBullfights: The Unlucky Death of Pepe Illo, in the Ring at Madrid
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