Bullfights:  The Forceful Rendon Stabs a Bull with  the Pique, From Which Pass he died in the Ring at Madrid
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subject_creditlineBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.567
subject_titleBullfights: The Forceful Rendon Stabs a Bull with the Pique, From Which Pass he died in the Ring at Madrid
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subject_creditlineBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.561
subject_titleBullfights: Manly Courage of the Celebrated Pajuelera in (the Ring) at Saragosa
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subject_creditlineBullfights: Banderillas with Firecrackers, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.570
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Death of Pepe Illo (2nd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.577
subject_titleBullfights: The Death of Pepe Illo (2nd Composition)
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subject_creditlineBullfights: Pepe Illo Making the Pass of the "Recorte", 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.568
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subject_creditlineBullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.578
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.562
subject_titleBullfights: Mariano Ceballos, Alias the Indian, Kills the Bull From his Horse
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subject_creditlineRogers Fund, 1921
subject_titlePlate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
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subject_creditlineBullfights: Two Teams of Picadors Thrown One After the Other by a Single Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.571
subject_titleBullfights: Two Teams of Picadors Thrown One After the Other by a Single Bull
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subject_creditlineBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.566
subject_titleBullfights: The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique
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subject_creditlineBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.573
subject_titleBullfights: A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Dog Let Loose on the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.575
subject_titleBullfights: The Dog Let Loose on the Bull
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.576
subject_titleBullfights: A Bullfighter Mounted on the Shoulders of an Assistant, Spearing a Bull
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provider_nameCleveland Museum of Art
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subject_creditlineBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.556
subject_titleBullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls
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subject_creditlineBullfights: A Horse Thrown by the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.574
subject_titleBullfights: A Horse Thrown by the Bull
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subject_creditlineBullfights: A Moor Caught by a Bull in the Ring, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.547
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subject_creditlineBullfights: A Picador is Unhorsed and Falls Under the Bull, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.565
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subject_creditlineBullfights: A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants, 1816, printed 1876. Francisco de Goya (Spanish, 1746–1828). Engraving. The Cleveland Museum of Art, Charles W. Harkness Endowment Fund, 1923.552
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