O Sing Again that Simple Song
Providercma
Depiction ID1924.368_web
Subject ID1924.368
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Providercma
Depiction ID1924.368_web
Subject ID1924.368
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineO Sing Again that Simple Song, 1862. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.368
subject_titleO Sing Again that Simple Song
subject_urlhttps://clevelandart.org/art/1924.368
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Providermetmuseum
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineMuseum Accession, transferred from the Library
subject_titleThe Maid
subject_urlhttps://www.metmuseum.org/art/collection/search/692583
typeimage
Distance0.15804368
Providermetmuseum
Depiction IDmetmuseum:398616:primaryImage
Subject IDmetmuseum:398616
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleRien n'est si joli que la fable, si triste que la vérité!, plate 30 from the suite Les Lorettes, published in "Le Charivari"
subject_urlhttps://www.metmuseum.org/art/collection/search/398616
typeimage
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Providercma
Depiction ID1925.1027_web
Subject ID1925.1027
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previewhttps://openaccess-cdn.clevelandart.org/1925.1027/1925.1027_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1846–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1027
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1027
typeimage
Distance0.16879219
Providermoma
Depiction IDd08289628ec7fc0f
Subject ID50032
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provider_nameMuseum of Modern Art
provider_urlhttps://www.moma.org/
subject_creditlineGift of Bella C. Landauer
subject_title
subject_urlhttps://www.moma.org/collection/works/50032
typeimage
Distance0.17028922
Providermetmuseum
Depiction IDmetmuseum:372957:primaryImage
Subject IDmetmuseum:372957
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP814877.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP814877.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleThe Morning Before the Massacre of St. Bartholomew (for "Once a Week," August 16, 1862)
subject_urlhttps://www.metmuseum.org/art/collection/search/372957
typeimage
Distance0.17039096
Providercma
Depiction ID1924.395_web
Subject ID1924.395
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.395/1924.395_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.395
subject_titleThe Queen of Diamonds - How She Was Won and Lost
subject_urlhttps://clevelandart.org/art/1924.395
typeimage
Distance0.17114282
Providercma
Depiction ID1924.398_web
Subject ID1924.398
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previewhttps://openaccess-cdn.clevelandart.org/1924.398/1924.398_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe White Camellia, 1868. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.398
subject_titleThe White Camellia
subject_urlhttps://clevelandart.org/art/1924.398
typeimage
Distance0.17319769
Providercma
Depiction ID1941.135_web
Subject ID1941.135
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1941.135/1941.135_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Trial Sermon, Joanna Douglas at Her Desk, 1862. James McNeill Whistler (American, 1834–1903). Wood engraving and letterpress; image: 15.3 x 11.5 cm (6 x 4 1/2 in.); sheet: 24.6 x 17.7 cm (9 11/16 x 6 15/16 in.). The Cleveland Museum of Art, Gift of Henry Sayles Francis, 1941.135
subject_titleThe Trial Sermon, Joanna Douglas at Her Desk
subject_urlhttps://clevelandart.org/art/1941.135
typeimage
Distance0.17407888
Providercma
Depiction ID1927.318_web
Subject ID1927.318
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1927.318/1927.318_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWoman Holding a Fan, 1700s. Possibly by Benoit II Audran (French, 1700–1772), after Jean-Antoine Watteau (French, 1684–1721). Etching. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1927.318
subject_titleWoman Holding a Fan
subject_urlhttps://clevelandart.org/art/1927.318
typeimage
Distance0.17414188
Providercma
Depiction ID1924.392_web
Subject ID1924.392
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previewhttps://openaccess-cdn.clevelandart.org/1924.392/1924.392_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMuch Ado about Nothing, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.392
subject_titleMuch Ado about Nothing
subject_urlhttps://clevelandart.org/art/1924.392
typeimage
Distance0.17515194
Providermetmuseum
Depiction IDmetmuseum:398616:primaryImage
Subject IDmetmuseum:398616
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP835617.jpg
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleRien n'est si joli que la fable, si triste que la vérité!, plate 30 from the suite Les Lorettes, published in "Le Charivari"
subject_urlhttps://www.metmuseum.org/art/collection/search/398616
typeimage
Distance0.17602694
Providermetmuseum
Depiction IDmetmuseum:822749:primaryImage
Subject IDmetmuseum:822749
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depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP888820.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP888820.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Donato Esposito, 2019
subject_titleA Quest for a Cousin, from "Illustrated London News"
subject_urlhttps://www.metmuseum.org/art/collection/search/822749
typeimage
Distance0.17744309
Providermetmuseum
Depiction IDmetmuseum:369335:primaryImage
Subject IDmetmuseum:369335
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP813889.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP813889.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1933
subject_titleLe Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
subject_urlhttps://www.metmuseum.org/art/collection/search/369335
typeimage
Distance0.17753386
Providercma
Depiction ID1924.391_web
Subject ID1924.391
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwo to One on the Major, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.391
subject_titleTwo to One on the Major
subject_urlhttps://clevelandart.org/art/1924.391
typeimage
Distance0.17901748
Providermetmuseum
Depiction IDmetmuseum:268368:primaryImage
Subject IDmetmuseum:268368
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineHarris Brisbane Dick Fund, 1937
subject_titleMrs. Marian Murray
subject_urlhttps://www.metmuseum.org/art/collection/search/268368
typeimage
Distance0.17942154
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.406/1924.406_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHow I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.406
subject_titleHow I Lost My Whiskers
subject_urlhttps://clevelandart.org/art/1924.406
typeimage
Distance0.18181956
Providercma
Depiction ID1925.1090_web
Subject ID1925.1090
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCarnaval, c. 1841–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1090
subject_titleCarnaval
subject_urlhttps://clevelandart.org/art/1925.1090
typeimage
Distance0.18527585
Providermetmuseum
Depiction IDmetmuseum:894257:primaryImage
Subject IDmetmuseum:894257
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1969
subject_titleWoman with a fan
subject_urlhttps://www.metmuseum.org/art/collection/search/894257
typeimage
Distance0.18560392
Providermetmuseum
Depiction IDmetmuseum:364281:primaryImage
Subject IDmetmuseum:364281
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlinePurchase, 1934
subject_titleLes Adieux (The Farewells), from Le Monument du Costume
subject_urlhttps://www.metmuseum.org/art/collection/search/364281
typeimage
Distance0.18576926
Providermetmuseum
Depiction IDmetmuseum:831100:primaryImage
Subject IDmetmuseum:831100
Attributes
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provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Mrs. Yvonne Möen Cumerford, 1965
subject_titleDid anyone ever forgive an awkward visit?, from "Little Miseries of Human Life"
subject_urlhttps://www.metmuseum.org/art/collection/search/831100
typeimage