Wanted a Curate
Providercma
Depiction ID1924.400_web
Subject ID1924.400
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1924.400_web
Subject ID1924.400
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.400/1924.400_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWanted a Curate, 1865. Olive Hargreave (British). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.400
subject_titleWanted a Curate
subject_urlhttps://clevelandart.org/art/1924.400
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.13362837
Providercma
Depiction ID1942.986_web
Subject ID1942.986
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.986/1942.986_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Malades et les medicins: No. 4, Lew Homéopathes, 1800s. Cham (French, 1818–1879). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.986
subject_titleLes Malades et les medicins: No. 4, Lew Homéopathes
subject_urlhttps://clevelandart.org/art/1942.986
typeimage
Distance0.13532072
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.406/1924.406_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHow I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.406
subject_titleHow I Lost My Whiskers
subject_urlhttps://clevelandart.org/art/1924.406
typeimage
Distance0.14755845
Providercma
Depiction ID1924.396_web
Subject ID1924.396
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.396/1924.396_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.396
subject_titleThe Queen of Diamonds - How She Was Won and Lost
subject_urlhttps://clevelandart.org/art/1924.396
typeimage
Distance0.14979637
Providercma
Depiction ID1925.1226_web
Subject ID1925.1226
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1226/1925.1226_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFourberies de Femmes, c. 1836–41. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1226
subject_titleFourberies de Femmes
subject_urlhttps://clevelandart.org/art/1925.1226
typeimage
Distance0.15325594
Providercma
Depiction ID1924.373_web
Subject ID1924.373
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.373/1924.373_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Song of the Disconsolate One, 1863. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.373
subject_titleThe Song of the Disconsolate One
subject_urlhttps://clevelandart.org/art/1924.373
typeimage
Distance0.15365076
Providercma
Depiction ID1924.390_web
Subject ID1924.390
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.390/1924.390_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Other Mrs. Johnson, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.390
subject_titleThe Other Mrs. Johnson
subject_urlhttps://clevelandart.org/art/1924.390
typeimage
Distance0.16723037
Providercma
Depiction ID1924.365_web
Subject ID1924.365
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.365/1924.365_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRefreshment - At the Great Exhibition, 1862. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.365
subject_titleRefreshment - At the Great Exhibition
subject_urlhttps://clevelandart.org/art/1924.365
typeimage
Distance0.1703906
Providercma
Depiction ID1924.388_web
Subject ID1924.388
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.388/1924.388_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWanted a Curate. Rather an Ordeal for the Reverend M. Green, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.388
subject_titleWanted a Curate. Rather an Ordeal for the Reverend M. Green
subject_urlhttps://clevelandart.org/art/1924.388
typeimage
Distance0.17284065
Providernga
Depiction ID59e99551-f8ee-4cb3-8df4-3fb2462d08fc
Subject ID6220
Attributes
previewhttps://api.nga.gov/iiif/59e99551-f8ee-4cb3-8df4-3fb2462d08fc/full/!200,200/0/default.jpg
provider_nameNational Gallery of Art
provider_urlhttps://www.nga.gov/
subject_creditlineRosenwald Collection
subject_titleBourgeois se fesant lire, après diner, quelques chapitres...
subject_urlhttps://purl.org/nga/collection/artobject/6220
typeimage
Distance0.17383987
Providercma
Depiction ID1924.392_web
Subject ID1924.392
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.392/1924.392_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMuch Ado about Nothing, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.392
subject_titleMuch Ado about Nothing
subject_urlhttps://clevelandart.org/art/1924.392
typeimage
Distance0.17675245
Providercma
Depiction ID1924.379_web
Subject ID1924.379
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.379/1924.379_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCoelebs in Search of a Mulready Envelope, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.379
subject_titleCoelebs in Search of a Mulready Envelope
subject_urlhttps://clevelandart.org/art/1924.379
typeimage
Distance0.18036592
Providercma
Depiction ID1942.930_web
Subject ID1942.930
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.930/1942.930_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Actrices: Bonjour mon Colonel!, 1843. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.930
subject_titleLes Actrices: Bonjour mon Colonel!
subject_urlhttps://clevelandart.org/art/1942.930
typeimage
Distance0.181656
Providercma
Depiction ID1924.35_web
Subject ID1924.35
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.35/1924.35_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Sisters, 1894. James McNeill Whistler (American, 1834–1903). Lithograph. The Cleveland Museum of Art, Gift of Mr. and Mrs. Ralph King, 1924.35
subject_titleThe Sisters
subject_urlhttps://clevelandart.org/art/1924.35
typeimage
Distance0.18315661
Providercma
Depiction ID1924.402_web
Subject ID1924.402
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.402/1924.402_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGoing to Court - How I Went, 1863. England, 19th century. Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.402
subject_titleGoing to Court - How I Went
subject_urlhttps://clevelandart.org/art/1924.402
typeimage
Distance0.18320537
Providercma
Depiction ID1966.409_web
Subject ID1966.409
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1966.409/1966.409_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Exhibition of 1859: The Painter Who Had a Painting Refused., 1859. Honoré Daumier (French, 1808–1879), Destouches, Mon. Martinet, r. Rivoli, et 41 r. Vivienne. Lithograph; sheet: 26.3 x 34.3 cm (10 3/8 x 13 1/2 in.); image: 21.8 x 26 cm (8 9/16 x 10 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1966.409
subject_titleThe Painter Who Had a Painting Refused.
subject_urlhttps://clevelandart.org/art/1966.409
typeimage
Distance0.18334508
Providercma
Depiction ID1942.931_web
Subject ID1942.931
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.931/1942.931_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Actrices: Le Rôle, 1843. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.931
subject_titleLes Actrices: Le Rôle
subject_urlhttps://clevelandart.org/art/1942.931
typeimage
Distance0.18512613
Providercma
Depiction ID1925.1027_web
Subject ID1925.1027
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1027/1925.1027_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1846–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1027
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1027
typeimage
Distance0.18543679
Providercma
Depiction ID1924.413_web
Subject ID1924.413
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.413/1924.413_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOur Christmas Turkey, Mr. Bobsby Concerned, 1868. Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.413
subject_titleOur Christmas Turkey, Mr. Bobsby Concerned
subject_urlhttps://clevelandart.org/art/1924.413
typeimage
Distance0.1858204
Providercma
Depiction ID1921.1490_web
Subject ID1921.1490
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1921.1490/1921.1490_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAn Omnibus Waiting Room, 1862, printed 1920. Honoré Daumier (French, 1808–1879), Charles Maurand (French, 1824–1904), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 22.3 x 15.8 cm (8 3/4 x 6 1/4 in.); sheet: 45 x 32.5 cm (17 11/16 x 12 13/16 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1490
subject_titleAn Omnibus Waiting Room
subject_urlhttps://clevelandart.org/art/1921.1490
typeimage
Distance0.18583244
Providercma
Depiction ID1924.410_web
Subject ID1924.410
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.410/1924.410_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTomkin's Degree Supper and How it Ended, 1868. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.410
subject_titleTomkin's Degree Supper and How it Ended
subject_urlhttps://clevelandart.org/art/1924.410
typeimage