How I Lost My Whiskers
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.406/1924.406_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHow I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.406
subject_titleHow I Lost My Whiskers
subject_urlhttps://clevelandart.org/art/1924.406
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.11496079
Providercma
Depiction ID1924.392_web
Subject ID1924.392
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.392/1924.392_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMuch Ado about Nothing, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.392
subject_titleMuch Ado about Nothing
subject_urlhttps://clevelandart.org/art/1924.392
typeimage
Distance0.11615276
Providercma
Depiction ID1924.390_web
Subject ID1924.390
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.390/1924.390_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Other Mrs. Johnson, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.390
subject_titleThe Other Mrs. Johnson
subject_urlhttps://clevelandart.org/art/1924.390
typeimage
Distance0.121631324
Providercma
Depiction ID1924.398_web
Subject ID1924.398
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.398/1924.398_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe White Camellia, 1868. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.398
subject_titleThe White Camellia
subject_urlhttps://clevelandart.org/art/1924.398
typeimage
Distance0.12301791
Providercma
Depiction ID1924.373_web
Subject ID1924.373
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.373/1924.373_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Song of the Disconsolate One, 1863. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.373
subject_titleThe Song of the Disconsolate One
subject_urlhttps://clevelandart.org/art/1924.373
typeimage
Distance0.12735659
Providercma
Depiction ID1924.413_web
Subject ID1924.413
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.413/1924.413_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineOur Christmas Turkey, Mr. Bobsby Concerned, 1868. Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.413
subject_titleOur Christmas Turkey, Mr. Bobsby Concerned
subject_urlhttps://clevelandart.org/art/1924.413
typeimage
Distance0.1296171
Providercma
Depiction ID1924.378_web
Subject ID1924.378
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.378/1924.378_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineCoelebs in Search of a Mulready Envelope, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.378
subject_titleCoelebs in Search of a Mulready Envelope
subject_urlhttps://clevelandart.org/art/1924.378
typeimage
Distance0.13335389
Providercma
Depiction ID1924.402_web
Subject ID1924.402
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.402/1924.402_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGoing to Court - How I Went, 1863. England, 19th century. Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.402
subject_titleGoing to Court - How I Went
subject_urlhttps://clevelandart.org/art/1924.402
typeimage
Distance0.13517189
Providercma
Depiction ID1924.400_web
Subject ID1924.400
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.400/1924.400_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWanted a Curate, 1865. Olive Hargreave (British). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.400
subject_titleWanted a Curate
subject_urlhttps://clevelandart.org/art/1924.400
typeimage
Distance0.13766658
Providercma
Depiction ID1924.397_web
Subject ID1924.397
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.397/1924.397_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLife in London, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.397
subject_titleLife in London
subject_urlhttps://clevelandart.org/art/1924.397
typeimage
Distance0.14222777
Providercma
Depiction ID1924.365_web
Subject ID1924.365
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.365/1924.365_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRefreshment - At the Great Exhibition, 1862. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.365
subject_titleRefreshment - At the Great Exhibition
subject_urlhttps://clevelandart.org/art/1924.365
typeimage
Distance0.14434618
Providercma
Depiction ID1924.388_web
Subject ID1924.388
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.388/1924.388_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWanted a Curate. Rather an Ordeal for the Reverend M. Green, 1865. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.388
subject_titleWanted a Curate. Rather an Ordeal for the Reverend M. Green
subject_urlhttps://clevelandart.org/art/1924.388
typeimage
Distance0.1444698
Providercma
Depiction ID1924.410_web
Subject ID1924.410
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.410/1924.410_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTomkin's Degree Supper and How it Ended, 1868. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.410
subject_titleTomkin's Degree Supper and How it Ended
subject_urlhttps://clevelandart.org/art/1924.410
typeimage
Distance0.14825207
Providercma
Depiction ID1924.395_web
Subject ID1924.395
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.395/1924.395_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.395
subject_titleThe Queen of Diamonds - How She Was Won and Lost
subject_urlhttps://clevelandart.org/art/1924.395
typeimage
Distance0.15056026
Providercma
Depiction ID1925.1007_alt0_web
Subject ID1925.1007
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1007/1925.1007_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRapping Spirits, 1851. Honoré Daumier (French, 1808–1879), Bertauts. Lithograph; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 21.3 x 22.1 cm (8 3/8 x 8 11/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1007
subject_titleRapping Spirits
subject_urlhttps://clevelandart.org/art/1925.1007
typeimage
Distance0.15056026
Providercma
Depiction ID1925.1007_alt1_web
Subject ID1925.1007
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1007/1925.1007_alt1_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRapping Spirits, 1851. Honoré Daumier (French, 1808–1879), Bertauts. Lithograph; sheet: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.); image: 21.3 x 22.1 cm (8 3/8 x 8 11/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1007
subject_titleRapping Spirits
subject_urlhttps://clevelandart.org/art/1925.1007
typeimage
Distance0.15252328
Providercma
Depiction ID1942.1033_web
Subject ID1942.1033
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.1033/1942.1033_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMasques et visages: Par-ci, par-la: M'ame Beauminet, ta majeste..., 1857–58. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1942.1033
subject_titleMasques et visages: Par-ci, par-la: M'ame Beauminet, ta majeste...
subject_urlhttps://clevelandart.org/art/1942.1033
typeimage
Distance0.15266556
Providercma
Depiction ID1925.1026_web
Subject ID1925.1026
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1026/1925.1026_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Martyrs, c. 1840–41. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1026
subject_titleLes Martyrs
subject_urlhttps://clevelandart.org/art/1925.1026
typeimage
Distance0.15278584
Providercma
Depiction ID1924.404_web
Subject ID1924.404
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.404/1924.404_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWhat Came of Killing a Rich Uncle One Christmas Time, 1865. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.404
subject_titleWhat Came of Killing a Rich Uncle One Christmas Time
subject_urlhttps://clevelandart.org/art/1924.404
typeimage
Distance0.15417624
Providercma
Depiction ID1925.1226_web
Subject ID1925.1226
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1226/1925.1226_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFourberies de Femmes, c. 1836–41. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1925.1226
subject_titleFourberies de Femmes
subject_urlhttps://clevelandart.org/art/1925.1226
typeimage
Distance0.15496826
Providercma
Depiction ID1924.396_web
Subject ID1924.396
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.396/1924.396_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.396
subject_titleThe Queen of Diamonds - How She Was Won and Lost
subject_urlhttps://clevelandart.org/art/1924.396
typeimage