Lady Nelly - the Flirt
Providercma
Depiction ID1924.416_web
Subject ID1924.416
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1924.416_web
Subject ID1924.416
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.416/1924.416_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLady Nelly - the Flirt, 1865. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.416
subject_titleLady Nelly - the Flirt
subject_urlhttps://clevelandart.org/art/1924.416
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
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Providercma
Depiction ID1956.642_web
Subject ID1956.642
Attributes
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provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLa Fille et la mère, c. 1854–56. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection, 1956.642
subject_titleLa Fille et la mère
subject_urlhttps://clevelandart.org/art/1956.642
typeimage
Distance0.17094064
Providercma
Depiction ID1924.397_web
Subject ID1924.397
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.397/1924.397_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLife in London, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.397
subject_titleLife in London
subject_urlhttps://clevelandart.org/art/1924.397
typeimage
Distance0.17729616
Providercma
Depiction ID1924.391_web
Subject ID1924.391
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.391/1924.391_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineTwo to One on the Major, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.391
subject_titleTwo to One on the Major
subject_urlhttps://clevelandart.org/art/1924.391
typeimage
Distance0.18163896
Providercma
Depiction ID1941.134_web
Subject ID1941.134
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1941.134/1941.134_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Major's Daughter: Clara Vinrace's Farewell to her Father, 1862. James McNeill Whistler (American, 1834–1903), Joseph Swain (British, 1820–1909). Wood engraving. The Cleveland Museum of Art, Gift of Henry Sayles Francis, 1941.134
subject_titleThe Major's Daughter: Clara Vinrace's Farewell to her Father
subject_urlhttps://clevelandart.org/art/1941.134
typeimage
Distance0.18459421
Providercma
Depiction ID1924.417_web
Subject ID1924.417
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.417/1924.417_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLady Nelly - the Flirt, 1869. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.417
subject_titleLady Nelly - the Flirt
subject_urlhttps://clevelandart.org/art/1924.417
typeimage
Distance0.18966383
Providercma
Depiction ID1924.392_web
Subject ID1924.392
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.392/1924.392_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineMuch Ado about Nothing, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.392
subject_titleMuch Ado about Nothing
subject_urlhttps://clevelandart.org/art/1924.392
typeimage
Distance0.19088143
Providercma
Depiction ID1924.373_web
Subject ID1924.373
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.373/1924.373_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Song of the Disconsolate One, 1863. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.373
subject_titleThe Song of the Disconsolate One
subject_urlhttps://clevelandart.org/art/1924.373
typeimage
Distance0.19115579
Providercma
Depiction ID1924.404_web
Subject ID1924.404
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.404/1924.404_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWhat Came of Killing a Rich Uncle One Christmas Time, 1865. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.404
subject_titleWhat Came of Killing a Rich Uncle One Christmas Time
subject_urlhttps://clevelandart.org/art/1924.404
typeimage
Distance0.19127643
Providercma
Depiction ID1955.653_web
Subject ID1955.653
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1955.653/1955.653_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineIllustration for "Count Bruckhardt" in "Once a Week", 1862. James McNeill Whistler (American, 1834–1903). Wood engraving. The Cleveland Museum of Art, Mr. and Mrs. Charles G. Prasse Collection, 1955.653
subject_titleIllustration for "Count Bruckhardt" in "Once a Week"
subject_urlhttps://clevelandart.org/art/1955.653
typeimage
Distance0.19952667
Providercma
Depiction ID1921.29_web
Subject ID1921.29
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1921.29/1921.29_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineRichard Wagner: His Life and Work: The Flying Dutchman: Act III, The Ecstasy of Senta and the Dutchman, 1886. Henri Fantin-Latour (French, 1836–1904). Lithograph. The Cleveland Museum of Art, Gift of Ralph King, 1921.29
subject_titleThe Flying Dutchman: Act III, The Ecstasy of Senta and the Dutchman
subject_urlhttps://clevelandart.org/art/1921.29
typeimage
Distance0.19965976
Providercma
Depiction ID1925.1027_web
Subject ID1925.1027
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1925.1027/1925.1027_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBaliverneries Parisiennes, c. 1846–47. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Dudley P. Allen Fund, 1925.1027
subject_titleBaliverneries Parisiennes
subject_urlhttps://clevelandart.org/art/1925.1027
typeimage
Distance0.19991934
Providercma
Depiction ID1924.395_web
Subject ID1924.395
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.395/1924.395_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineThe Queen of Diamonds - How She Was Won and Lost, 1866. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.395
subject_titleThe Queen of Diamonds - How She Was Won and Lost
subject_urlhttps://clevelandart.org/art/1924.395
typeimage
Distance0.20006663
Providercma
Depiction ID1921.1511_web
Subject ID1921.1511
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1921.1511/1921.1511_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineAt the Universal Exhibition: Who are the real Chinese?, 1867, printed 1920. Honoré Daumier (French, 1808–1879), Charles Maurand (French, 1824–1904), François Louis Schmied (Swiss, 1873–1941). Wood engraving; image: 22.5 x 15.5 cm (8 7/8 x 6 1/8 in.); sheet: 45.5 x 32.1 cm (17 15/16 x 12 5/8 in.). The Cleveland Museum of Art, Gift of Ralph King, 1921.1511
subject_titleAt the Universal Exhibition: Who are the real Chinese?
subject_urlhttps://clevelandart.org/art/1921.1511
typeimage
Distance0.20077997
Providercma
Depiction ID1924.368_web
Subject ID1924.368
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.368/1924.368_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineO Sing Again that Simple Song, 1862. George Louis Palmella Busson Du Maurier (British, 1834–1896). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.368
subject_titleO Sing Again that Simple Song
subject_urlhttps://clevelandart.org/art/1924.368
typeimage
Distance0.2021265
Providercma
Depiction ID1924.406_web
Subject ID1924.406
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.406/1924.406_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHow I Lost My Whiskers, 1866. Horace Harral (British, 1817–1905), after Charles Samuel Keene (British, 1823–1891). Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.406
subject_titleHow I Lost My Whiskers
subject_urlhttps://clevelandart.org/art/1924.406
typeimage
Distance0.2027862
Providermetmuseum
Depiction IDmetmuseum:336607:primaryImage
Subject IDmetmuseum:336607
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP852076.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP852076.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of David J. Impastato, 1962
subject_titleFaust Trying to Seduce Marguerite (Goethe, Faust)
subject_urlhttps://www.metmuseum.org/art/collection/search/336607
typeimage
Distance0.20329827
Providermetmuseum
Depiction IDmetmuseum:372956:primaryImage
Subject IDmetmuseum:372956
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP814873.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP814873.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1922
subject_titleThe Major's Daughter (for "Once a Week," June 21, 1862)
subject_urlhttps://www.metmuseum.org/art/collection/search/372956
typeimage
Distance0.20371729
Providercma
Depiction ID1942.955_web
Subject ID1942.955
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.955/1942.955_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLes Lorettes, 1842. Paul Gavarni (French, 1804–1866). Lithograph. The Cleveland Museum of Art, Gift of George W. Bierce, 1942.955
subject_titleLes Lorettes
subject_urlhttps://clevelandart.org/art/1942.955
typeimage
Distance0.20435208
Providermetmuseum
Depiction IDmetmuseum:382274:primaryImage
Subject IDmetmuseum:382274
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/dp/original/DP835787.jpg
previewhttps://images.metmuseum.org/CRDImages/dp/web-large/DP835787.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineRogers Fund, 1921
subject_titleThe Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ)
subject_urlhttps://www.metmuseum.org/art/collection/search/382274
typeimage
Distance0.20506334
Providercma
Depiction ID1924.403_web
Subject ID1924.403
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.403/1924.403_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineWhat We Did at the Seaside - Nothing, 1862. England, 19th century. Wood engraving. The Cleveland Museum of Art, Dudley P. Allen Fund, 1924.403
subject_titleWhat We Did at the Seaside - Nothing
subject_urlhttps://clevelandart.org/art/1924.403
typeimage