Initial M[issus est] Excised from an Antiphonary: The Annunciation
Providercma
Depiction ID1924.431_web
Subject ID1924.431
Modelgoogle/siglip2-so400m-patch16-naflex
Providercma
Depiction ID1924.431_web
Subject ID1924.431
Modelgoogle/siglip2-so400m-patch16-naflex
Created2026-10-07
Embeddingslink
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1924.431/1924.431_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial M[issus est] Excised from an Antiphonary: The Annunciation, 1430–1438. Stefano da Verona (Italian, c. 1375–1438). Ink, tempera, and gold on vellum; sheet: 19.7 x 16.7 cm (7 3/4 x 6 9/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). The Cleveland Museum of Art, Gift from J. H. Wade, 1924.431
subject_titleInitial M[issus est] Excised from an Antiphonary: The Annunciation
subject_urlhttps://clevelandart.org/art/1924.431
typeimage
Higher values (10 or above) are often better for text queries. Current value is 0.0
Distance0.097729504
Providercma
Depiction ID1986.151_web
Subject ID1986.151
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1986.151/1986.151_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHalf Leaf from a Missal: The Annunciation, c. 1415. France, Avignon. Ink, tempera, and gold on parchment; sheet: 24.8 x 15.3 cm (9 3/4 x 6 in.). The Cleveland Museum of Art, Gift of Dr. Norman Zaworski, 1986.151
subject_titleHalf Leaf from a Missal: The Annunciation
subject_urlhttps://clevelandart.org/art/1986.151
typeimage
Distance0.10336846
Providercma
Depiction ID1952.107_web
Subject ID1952.107
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.107/1952.107_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHistoriated Initial (A) Excised from a Gradual: Christ in Majesty with King David and Prophets, c. 1300–1340. Italy, Florence (?). Ink, tempera, and gold on parchment; sheet: 28 x 24 cm (11 x 9 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.107
subject_titleHistoriated Initial (A) Excised from a Gradual: Christ in Majesty with King David and Prophets
subject_urlhttps://clevelandart.org/art/1952.107
typeimage
Distance0.10460788
Providercma
Depiction ID1942.169.50.a_web
Subject ID1942.169.50.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1942.169.50.a/1942.169.50.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Annunciation, c. 1420. Follower of Boucicaut Master (French, Paris, active about 1410–25). Ink, tempera, and gold on vellum; sheet: 20.3 x 14 cm (8 x 5 1/2 in.). The Cleveland Museum of Art, Bequest of Julia Morgan Marlatt, 1942.169.50.a
subject_titleBook of Hours (Use of Paris): Annunciation
subject_urlhttps://clevelandart.org/art/1942.169.50.a
typeimage
Distance0.10786325
Providercma
Depiction ID1954.140.2_web
Subject ID1954.140.2
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1954.140.2/1954.140.2_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineLeaf from a Book of Hours: Coronation of the Virgin, c. 1470–1480. Guillaume Vrelant (Flemish, c. 1454–1481). Tempera, liquid gold, and grisaille on vellum; sheet: 10.3 x 7.6 cm (4 1/16 x 3 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1954.140.2
subject_titleLeaf from a Book of Hours: Coronation of the Virgin
subject_urlhttps://clevelandart.org/art/1954.140.2
typeimage
Distance0.11312902
Providercma
Depiction ID1952.227_alt0_web
Subject ID1952.227
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227/1952.227_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen), c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227
subject_titleBook of Hours (Use of Rouen)
subject_urlhttps://clevelandart.org/art/1952.227
typeimage
Distance0.11325759
Providercma
Depiction ID1964.40.27.a_web
Subject ID1964.40.27.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.27.a/1964.40.27.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 27r, St. Mark, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.27.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 27r, St. Mark
subject_urlhttps://clevelandart.org/art/1964.40.27.a
typeimage
Distance0.113434196
Providercma
Depiction ID1952.232_web
Subject ID1952.232
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.232/1952.232_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineInitial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb, c. 1280–1300. Italy, Siena. Ink, tempera, and gold on parchment; sheet: 18 x 15.8 cm (7 1/16 x 6 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.232
subject_titleInitial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb
subject_urlhttps://clevelandart.org/art/1952.232
typeimage
Distance0.11598641
Providercma
Depiction ID1952.465.144.b_alt0_web
Subject ID1952.465.144.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.465.144.b/1952.465.144.b_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGospel Book with Evangelist Portraits: Saint John, c. 1480. Master of the House-Book (German, c. 1470–1500). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex: 23 x 17 cm (9 1/16 x 6 11/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.465.144.b
subject_titleGospel Book with Evangelist Portraits: Saint John
subject_urlhttps://clevelandart.org/art/1952.465.144.b
typeimage
Distance0.11598641
Providercma
Depiction ID1952.465.145.a_web
Subject ID1952.465.145.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.465.145.a/1952.465.145.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineGospel Book with Evangelist Portraits: Decorated Initial, c. 1480. Master of the House-Book (German, c. 1470–1500). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex: 23.7 x 18.4 x 5.4 cm (9 5/16 x 7 1/4 x 2 1/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1952.465.145.a
subject_titleGospel Book with Evangelist Portraits: Decorated Initial
subject_urlhttps://clevelandart.org/art/1952.465.145.a
typeimage
Distance0.11619347
Providercma
Depiction ID1964.40.21.a_web
Subject ID1964.40.21.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.21.a/1964.40.21.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol.1r, St. John the Evagelist, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.21.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol.1r, St. John the Evagelist
subject_urlhttps://clevelandart.org/art/1964.40.21.a
typeimage
Distance0.11656958
Providercma
Depiction ID1951.120.37.a_web
Subject ID1951.120.37.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.37.a/1951.120.37.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.37.a
subject_titleBook of Hours (Use of Paris): Fol. 37r, Annunciation
subject_urlhttps://clevelandart.org/art/1951.120.37.a
typeimage
Distance0.11760169
Providercma
Depiction ID1953.365_alt0_web
Subject ID1953.365
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1953.365/1953.365_alt0_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFragment of an Antiphonary with Historiated Initial (A): Christ in Majesty, 1308. Neri da Rimini (Italian). Ink, tempera, and gold on parchment; sheet: 34 x 24 cm (13 3/8 x 9 7/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1953.365
subject_titleFragment of an Antiphonary with Historiated Initial (A): Christ in Majesty
subject_urlhttps://clevelandart.org/art/1953.365
typeimage
Distance0.11777949
Providercma
Depiction ID1951.120.77.a_web
Subject ID1951.120.77.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.77.a/1951.120.77.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 77r, David, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.77.a
subject_titleBook of Hours (Use of Paris): Fol. 77r, David
subject_urlhttps://clevelandart.org/art/1951.120.77.a
typeimage
Distance0.119428515
Providercma
Depiction ID1952.227.13.a_web
Subject ID1952.227.13.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.13.a/1952.227.13.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 13r, The Four Evangelists, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.13.a
subject_titleBook of Hours (Use of Rouen): fol. 13r, The Four Evangelists
subject_urlhttps://clevelandart.org/art/1952.227.13.a
typeimage
Distance0.11984497
Providercma
Depiction ID1951.120.204.b_web
Subject ID1951.120.204.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1951.120.204.b/1951.120.204.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Paris): Fol. 204v, Last Judgment, c. 1420. Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30). Ink, tempera, and gold on vellum; codex: 18.4 x 13.3 cm (7 1/4 x 5 1/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1951.120.204.b
subject_titleBook of Hours (Use of Paris): Fol. 204v, Last Judgment
subject_urlhttps://clevelandart.org/art/1951.120.204.b
typeimage
Distance0.12031126
Providercma
Depiction ID1964.40.23.a_web
Subject ID1964.40.23.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.23.a/1964.40.23.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 23r, St. Luke, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.23.a
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 23r, St. Luke
subject_urlhttps://clevelandart.org/art/1964.40.23.a
typeimage
Distance0.12075931
Providercma
Depiction ID1952.227.80.a_web
Subject ID1952.227.80.a
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1952.227.80.a/1952.227.80.a_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineBook of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath, c. 1470. Master of the Geneva Latini (French, active Rouen, 1460–80). Ink, tempera, and gold on vellum; codex: 19.5 x 13.1 cm (7 11/16 x 5 3/16 in.). The Cleveland Museum of Art, Gift of the Feiss family in memory of Mr. and Mrs. Paul L. Feiss, 1952.227.80.a
subject_titleBook of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath
subject_urlhttps://clevelandart.org/art/1952.227.80.a
typeimage
Distance0.120928824
Providercma
Depiction ID1991.157_web
Subject ID1991.157
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1991.157/1991.157_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineFrontispiece Miniature from the Manuscript of a Poem by Guillaume Crétin: Debate Between Two Women, c. 1537–1540. Master of Francis I (French). Ink, tempera, and liquid gold on vellum; sheet: 27.1 x 20.1 cm (10 11/16 x 7 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1991.157
subject_titleFrontispiece Miniature from the Manuscript of a Poem by Guillaume Crétin: Debate Between Two Women
subject_urlhttps://clevelandart.org/art/1991.157
typeimage
Distance0.12163228
Providermetmuseum
Depiction IDmetmuseum:466685:primaryImage
Subject IDmetmuseum:466685
Attributes
depiction_urlhttps://images.metmuseum.org/CRDImages/md/original/sf27-248-2s1.jpg
previewhttps://images.metmuseum.org/CRDImages/md/web-large/sf27-248-2s1.jpg
provider_nameThe Metropolitan Museum of Art
provider_urlhttps://www.metmuseum.org/
subject_creditlineGift of Alice M. Dike, 1927
subject_titleManuscript Leaf with the Annunciation, from a Book of Hours
subject_urlhttps://www.metmuseum.org/art/collection/search/466685
typeimage
Distance0.122074544
Providercma
Depiction ID1964.40.272.b_web
Subject ID1964.40.272.b
Attributes
previewhttps://openaccess-cdn.clevelandart.org/1964.40.272.b/1964.40.272.b_web.jpg
provider_nameCleveland Museum of Art
provider_urlhttps://clevelandart.org/
subject_creditlineHours of Charles the Noble, King of Navarre (1361-1425): fol. 272v, St. Luke, c. 1405. Master of the Brussels Initials and Associates (French). Ink, tempera, and gold on vellum; codex: 20.3 x 15.7 x 7 cm (8 x 6 3/16 x 2 3/4 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund, 1964.40.272.b
subject_titleHours of Charles the Noble, King of Navarre (1361-1425): fol. 272v, St. Luke
subject_urlhttps://clevelandart.org/art/1964.40.272.b
typeimage